Feed the Birds

Okay, my game is off (for good reason, another story)
but I did this baaaad sketch because I have to shake it off and that can shift my mojo.

I share the bad stuff so someone starting doesn’t feel badly when they see only good pieces
from artists they compare themselves to and we aaaaall do that, it is human nature.

I love having this memory in my imperfect sketchbook
because it is a nearly daily activity that brings me joy:
“First thing in the studio in the morning I feed the birds by tossing a seed mixture (we mix) onto the roof of the loading dock.  The pidgeons* are waiting on the phone lines, and when the window opens a few circle joyfully in the air.  They feed firs; then crows come and they love the peanuts and bits of rice cakes.  Also, if I am late then the crows raise a racket scolding me for tardiness!  Finally, and lasting until we leave, it is all about the little birds, the junkos and jays and some I don’t yet know names for…”

*Damn I spelled pigeons wrong.

My journal is about art but it is also about memories and
I am so glad I now combine them in one place.

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End result, Good Flesh Tones

Caput Mortem (or Caput Mortuum, aka Mummy Brown or Dead Head) has legends about how it came to be.  It was likely made from the residue from the production of sulfuric acid.  The residue was colcothar.
Another legend says it was made from ground-up mummies, *ick*,
this process discontinued in the 19th century, thankfully.
I have found it ranges from the brown-purple paint on the left (preferred),
to the more common color on the right.
The color on the right doesn’t suit my mixing preferences.

I can’t believe this odd color I like so much is now made from a purple variety of hematite iron oxide (there is that hematite again,  a favorite pigment!)

I mixed Caput Mortem into many colors just to see how they mixed.
This play that also helps me learn!

In this mix for flesh tones I tried Potter’s Pink in place of the darker
Windsor Newton Caput Mortem, which I can’t quite like.
I like the flesh tone achieved.

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W16 7 21 USK PSU BERRY FESTIVAL 02 SQ

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My Perfect Journal

I’ve been journaling for 50 years, art journaling for forty (first architectural ideas, now art).  I’ve tried many journals before finding my perfect journal.  I bought the Chinese Journals (left, and btw, review in links) from Chinatown in San Fransisco at age 20.  Cheap paper, lined, and I managed to do a good deal of architectural sketching in them!  The covers looked sorta red-black-white graphically architectural!  I filled about ten of these before I moved to my next best journal.

I found the Okina journal in San Fransisco as well — perhaps that is the best journal city?
The size is a bit larger than a B5 (see it next to the Dingbat journal, left), and
I love the page layout: a grid across the top then tightly spaced lines.
The pocket at the back is so convenient when you are traveling or want to remember an event.  But, because now my journal is a combined art/writing journal,  and I want a blank sketching page which Okina doesn’t have, so we now use these in our business.

I have tried over a dozen “art” journals, certainly all the big names sold in the USA and the UK, some shown right.  I won’t name them because most may be good journals for someone (not me), which is why I always state my preferences when I create a journal review.

I can tell you that never ever going to use a spiral bound journal.  The ability to fold it back is not outweighed by having that big old metal spiral in the middle of pages!

The Bright Ideas journal (the colorful journal in the stack) I continue to work.  I might not buy another, but sketching on the colorful pages is fun; I keep it by my bed or in the studio and pick it up from time to time.

When I don’t like a journal I do not throw it out.  I set it aside for an specific thing (like the two square flower journals left) or I gift it.

So now, my Perfect Journal!

But from the time I tried my first Hahnemuhle Nostalgie journal in 2017, I was hooked
and stopped looking.  Now, two dozen journals later, I can say that I have
found my best journal (though I also use their Watercolor journals for special USk outings)!  I use A5 daily, and A4 when I want a big spread, both landscape format.

What sold me on these journal?  Of course, first, it is the paper.
The Hahnemuhle Nostalgie is not watercolor paper,
but the190 gsm natural acid free white sketch paper takes everything
I throw at it when I am sketching and journaling my thoughts,
and in two dozen books I’ve rarely had bleed through!
Even my finest point pens glide smoothly across the paper when writing or sketching,
and I use this book for both, as I long ago gave up dividing my life and
decided to use my sketching journal as my personal journal as well.

I usually write on the left facing page, and make my sketches on the right-facing pages,
but as you can see from samples above I also mix it up!
I regularly use watercolor and inks on this paper and it takes both beautifully,
though I do admit to clipping the corners with strong binder clips
when I am going to do a heavy water wash to keep the paper laying flat.
I have occasionally used masking fluid on the paper and no issues!
I also like the way the anthracite cover feels in my hands, and it is industrial strength —
I’ve never had a cover (nor the binding) give way or even show dirt.
I use stickers to decorate the outside of mine, but admit I have to use glue to
keep it on the anthracite cover.  The 40 sheets (or 80 pages as I use both sides),
is a good size with which to carry and travel.

Finally, they are an environmentally responsible company.
I consider this in all my purchases.

In revisiting many old posts to finalize this one, I also came across old posts on journaling…  If you want to start a practice or broaden your own, I have three posts on my journaling over the years:

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Kill Winter with Orange

Time honored tradition now in the pen community… I’m ready!
Kill Winter with Orange!

I’m for warm colors warm weather and this year the cold in the studio
never seems to end despite woolly socks and a heater!
Cold cold Cold!

Pens top to bottom: Metropolitan, Moonman, Benu, FPR Himalayan;
Side: TWSBI Eco, Sailor, and Edison Collier.

A gurl can’t have too many orange pens or mugs!
Before you ask, that is ginger floating in my coffee, with brown sugar and goat milk.

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Swooshy Gurl


She is the cheeriest most amorous cat,
my swooshy shadow cat!

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Idahome Lily

Marianne offered some lovely flower images and I sketched several;
just found this one lingering about from last year!

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Inky Thots: Birmingham Two Twinkles

Twinkle is all about the shimmer!
Birmingham Pen Co has fifteen Twinkle inks right now,
and if you love shimmer, these are the best!

These inks are Mitchell’s favorites.  He loves shimmery inks, and Tributary Twinkle
is probably his favorite.  It sits next to our bed where he plays and journals.
He has them in two pens currently, a Lamy stub nib and an inexpensive Jinhao,
and so far, no clogging.  Both inks dry quickly even when painted (see below).
Of course, when you are cleaning the shimmers never come out (true for all shimmer inks)
so these pens will forever be dedicated to shimmer.

Remember that others review these inks just for writing;
I am also interested in how they are used for ink-painting!

Properties of Birmingham Twinkle inks:

The Twinkle inks are surprisingly well behaved inks which dry quickly.  They feather slightly on Post-its (many inks do as it is cheap paper), but are fine in Mitchell’s inexpensive journal and on the love letters he writes me! It is beautiful on watercolor paper, above. When the edge is touched with water it moves easily, and after drying, when I scrubbed it, top, it showed quite a lot water resistance.  For my testing, I painted with them, below, and found them to dry quickly even with thick applications!

After painting with them, I now need to get a Twinkle for myself,
Midnight Twinkle, as I am all about the greys!

*Above, watercolors, from Daniel Smith, Holbein, and Sennelier.*

Looking at watercolor comparisons, I offer these colors, above.

MOST water soluble ink companies do not pay attention to lightfast qualities
and Birmingham is no different in this line of inks.
Most artists who use ink are making prints of their work —
But ink-painting is becoming more interesting so maybe it is time!

I drew the strawberry on my test page with a dip pen and Strawberry Twinkle — on cold press watercolor paper and touched the lines with water using a Pentel Aquash waterbrush.  It held it’s edge but also moved color.  The dots were created with masking fluid.

The river was painted using Tributary Twinkle with a watercolor brush; After I played with moving the colors into sky and mountains.  This ink has quite a lot of purples and blues, really beautiful!

 I like what Birmingham says on their website:
We started Birmingham Pen Co. in 2012 in the Southside
of Pittsburgh, Pennsylvania.  The region of Pittsburgh
where we began once  called “Little Birmingham” due
to the area’s prolific manufacturing industry in the early 1900’s.
The Birmingham moniker was derived from Birmingham, UK
– a manufacturing hub that specialized in, among other things, pen and nib manufacturing with thousands of craftspeople employed in the industry. 
We chose the name Birmingham Pen Company to share this little known piece of history and continue in the traditions behind the name.”

Birmingham’s bottles are glass, and functional
even in the small sizes.  I like glass bottles;
they feel like they will last longer.


Birmingham also turns their own pens,
which I’ve noticed often sell out as fast as they make them!
*I LOVE my Model-A Demonstrator, Violet Beauregarde!*
I’ve been coveting the Ironsides!

This is a small family business run by four people: The brothers, Nick and Josh;  Dad is the chief pen machinist;  and Mom does one of the coolest things about Birmingham, which are their amazing historic names!

By direct from them at https://www.birminghampens.com/!

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VOODOO Doughnuts

It is a once-in-a-Blue-Moon thang that we get donuts….
but always Voodoo Donuts!  Yummy!
A Portland institution, home grown!

©D. Katie Powell.
My images/blog posts may be reposted; please link back  to dkatiepowellart.

W14 4 27 WC PALMS PAT SQAs my Patreon supporter, you will have
access to some content not on this website,
sneak previews, goodies, discounts on classes.

I will teach architectural sketching,
art journaling (art+writing), creativity, watercolors.
That annoying loud-mouth editor/critic in your head?  GONE!  How great would that be?

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Inky Thots: Robert Oster Monsoon Clouds

 

From the post Wednesday!

I love sketching with soluble grey inks, but this last month I popped a new greyish purplish color in my Benu Talisman pen, which I am loving: PEN CHALET’s Exclusive, Robert Oster Monsoon CloudsTo see the post on the sketch above, go here.  I love this ink so much!!

I know I will want more of this ink!

Properties of Robert Oster’s Monsoon Clouds:

This ink is well-behaved, and does not feather on
any of the papers I normally use, even Post-its.
I consider it a medium ink, neither wet nor dry, and it evaporates quickly with a wet nib.  It has never smeared on me during a sketch.  It has a hint of a pink-red sheen, impossible to image. It contains deep blue-purples, Edging into lavender when it spreads.  When hit with water it moves easily though one pass did not totally disperse it so there was a bit of a ghost.

It is not water resistant.


I kept seeing this as a horizon color…..


My journal is full of entries in this ink!


On smooth Hahnemühle paper I created a very fast sketch of
Savitri as she moved about grooming, trying to capture her in motion!

I love this deep purpley grey.

Other Robert Oster Inks reviewed in this manner to date:
African Gold; Muddy Dragon (and the other Muddy colors which will soon be sold separately), Graphite (the first bottle I finished ever…), Green at Night, Midnight Sapphire, Jade, Melon Tea, Fire Engine Red, Thunderstorm, Charcoal, Citrus, No Fixed Address, Sydney Lavender, Aussie Brown, Heart of Gold, Aussie Liquid Gold, Sterling Silver, Robert Oster’s Pen Chalet Exclusives (Antelope Canyon, Havasu Falls, Monsoon Clouds, Monsoon Sky, Saguaro Green, Sedona Red), and Robert Oster’s Vanness Exclusives (Blue River, Charred Hickory, Hemp, Hickory Aflame).

The non-toxic inks come in 50ml plastic bottles that are
environmentally friendly, using recycled plastic.  They can be tippy,
so I usually put them in a squatty solid container to decant.
All my pens fit easily into the bottle opening to fill.

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or check out my new, improved dkatiepowellart.com

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Robert Oster’s Monsoon Clouds Ink Sketches


I don’t usually show the images I sketch from, but this is an exception.
This is a view I see almost every night:
Savitri curled into my right side while I try to sketch.
She thinks she helps,
and as I get a good amount of sketching done, perhaps she does.


From that image, I made a line drawing in an ink that is very different,
Vanness’s Exclusive, Robert Oster Monsoon Clouds,
which is no longer sold (but a gurl can hope, HINT HINT).


I moved the smokey-purple-grey ink to shade the drawing with a waterbrush.
I hoped would influence the watercolors over the top in an interesting manner.


I love the way this sketch turned out!
I love the interesting color shifts and will use this ink again and again with watercolors.


Vanness’s Exclusive, Robert Oster Monsoon Clouds (which is no longer available).
Or perhaps they will get more in —
Please, if you are listening, I know I will want more of this ink if I can get it.
Full review Friday!

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Three Cats: The End of a Sketchbook


Sleeping in Mitchell’s legs, all three of them.
I don’t know how he does it…
but maybe that’s what keeps him warm on cold winter nights!
Chonky Gibbs, left, Yaman, center, and Savitri, far right.

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Inky Thots: Robert Oster African Gold

Robert Oster Signature African Gold is my favorite gold sketching and
suitable for the office and of course, my artwork.
It is a rich gold going into a blackish sheen.
I don’t think of it as a shading ink.

Others review these inks just for writing; I am also interested in how they are used for ink-painting!

Properties of Robert Oster’s African Gold:

African Gold is well-behaved,
and does not feather on any of the papers I normally use, even Post-its. I consider it a medium ink, neither wet nor dry, and it evaporates quickly. It has never smeared on me during a sketch. It has a hint of sheen, but this is not noticeable in writing. When the dry ink is hit with water it moves easily with no ghosting, so is not water resistant.

Notice the green-blue edges, right.

*Above, watercolors  from Daniel Smith and QoR.*

When the edge is touched with water it moves easily with no resistance into rust tones.
Looking at watercolor comparisons, above, good color matches
for African Gold are Nickel Quin Gold, Quinacridone Gold,  and New Gamboge, moving into Van Dyke or Burnt Umber.


My lion was lightly sketched then drawn with a TWSBI Eco 1.1 on cold press watercolor paper, then the African Gold lines were touched with water using a Pentel Aquash waterbrush.  The lines do not stay visible but quickly lose themselves in wet color; I was able to gently build up layers of color by layering over dried areas quickly with the African Gold ink on a saturated brush, which kept the dried ink below from moving.


Wikipedia offered the image from which this sketch was drawn.  I let the sketched lines completely dry on smooth Hahnemühle paper in my Hahnemühle Nostalgie Sketchbook.  I came back and touched the lines, adding inky color on my waterbrush and layering once or twice, but the lines moved too much!
I came back again and drew the African Gold lines over the painted areas.

When my mom was in the hospital I made this sunny rendition of her favorite bronze sun, which I inherited from her.  Sorry can’t show the entire thing as there is writing which is personal. DeAtramentis Document black lines with African Gold ink.

Other Robert Oster Inks reviewed in this manner to date:
Muddy Dragon (and the other Muddy colors which will soon be sold separately), Graphite (the first bottle I finished ever…), Green at Night, Midnight Sapphire, Jade, Melon Tea, Fire Engine Red, Thunderstorm, Charcoal, Citrus, No Fixed Address, Sydney Lavender, Aussie Brown, Heart of Gold, Aussie Liquid Gold, Sterling Silver, Robert Oster’s Pen Chalet Exclusives (Antelope Canyon, Havasu Falls, Monsoon Clouds, Monsoon Sky, Saguaro Green, Sedona Red), and Robert Oster’s Vanness Exclusives (Blue River, Charred Hickory, Hemp, Hickory Aflame).

The non-toxic inks come in 50ml plastic bottles that are environmentally friendly, using recycled plastic.  They can be tippy, so I set the bottle in a more solid container to decant. All my pens fit easily into the bottle opening to fill.

To hear about classes, follow me on Facebook
or check out my new, improved dkatiepowellart.com

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Gibbs, Acrobat Cat

He gets into everything…

He is a chonky fella now
so it is a bit worrisome
when he decides to walk
along a narrow 2-inch
walkway or worse,
try and walk along
the edge of a basket!!!

I say “NO!”  He laughs… really, I’ve heard him!

He is the cat-who-does-not-mind, AND, sweetness personified, our love, our Hari-Gibbs.

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Once a Beach Gurl


Random images from my journal
during a friend’s surgery.

©D. Katie Powell.
My images/blog posts may be reposted; please link back  to dkatiepowellart.

W14 4 27 WC PALMS PAT SQAs my Patreon supporter, you will have
access to some content not on this website,
sneak previews, goodies, discounts on classes.

I will teach architectural sketching,
art journaling (art+writing), creativity, watercolors.
That annoying loud-mouth editor/critic in your head?  GONE!  How great would that be?

Posted in art journal, memory, painting, pen & ink, virtual sketching, waterbrush, watercolor | Tagged , , , , , , , , , , | 2 Comments

Gratitude, not just at Thanksgiving


One key to surviving depression is gratitude.
Every day I write about what I am grateful for,
even if it is just a line during the day in my journal.
The more depressed I am the more I do gratitude if I want to move away from the dark matter
looming in the corners of my vision, waiting to slip into my consciousness.

I record joyful moments.


But no mistake, I also record the horrendous.
Right there in my art journal or writing journal next to the gratitude.
Writing it down, sometimes creating an image, releases it from my mind.

But daily I write and draw gratitude.


This morning I am grateful for sleeping in late again.
I am grateful for Mitchell doing “Tiger Cat” with Izzee on the bed,
and that he loves her more than a perfectly made bed..
I am grateful that we get to have the cats with us while we work.
I am grateful that the crows and pigeons love my feeding them,
and that we have good food to eat.
I am grateful for making marks, and sharing them with you all.
I am grateful that Mitchell gets as much joy from the huge cat forts I build to amuse them,
even though we have to walk around them all day long (image coming)!
I am grateful that he cleans up the vomit!
Most of all I am grateful for Mitchell loving me, and for loving him.

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Accordion Hearts


Home sick last week, a cold… Feeling really punky.
Not able to wrap my fuzzy mind around anything, so went to
icon I’ve doodled and painted all my life, hearts.
Cheery.  A symbol of love.  What’s not to like?

I drew them all first using a Platinum Carbon pen…
In a folding journal that is about 5×3.5-inches.
Then began to play with color.

Wishing you a Heart-Filled Holiday!

💚

💚

💚

💚

💚

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Tools: How I Make My Swabs

I am asked this a lot,
and it is on my inks page,

but thought I’d repost it here.

W20 7 ROBERT OSTER MOTOR OIL INK-1346For my large ink test
I laydown roughly
a half-square of ink, above.
I let it dry, then load
the bottom half of
the imaginary square
with water, and just touch
the edge of the dry ink…
except for the far right corner,
where I scrub the ink with
my brush to see how it moves.

Occasionally you will see
two images for the same ink.
This is because it is a color
that changes in different
lighting so very much!

I like to use the paper that I am going to use in my actual artwork, so I
use Hahnemühle Nostalgie Sketchbook or Hahnemühle Watercolour Journal,

Love me some Robert Oster Motor Oil!

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Tools: TWO Bamboo Sketchbooks by Hahnemühle

Hahnemühle makes two bamboo sketchbooks:
the Hahnemühle Bamboo SketchBook, shown below, which is 50lbs;
and the Carnet de Voyage, aka the Bamboo Mixed Media journal by some, shown above,
spiral bound and coming in at 265lbs, which I reviewed in 2017.

This review is for the 50lb Bamboo SketchBook from Hahnemühle. I love that it is made from a sustainable ecological material: 90% bamboo + 10% cotton!
The fast growing bamboo ensures less sustainable raw material resources are conserved.
I like the off-white color, and with the bamboo-textured covers it is an eye-catching sketchbook, and still can accept stickers if you are inclined (I am.)

I was given a large (for me) A4 portrait format; it also comes in A5 portrait.
Each has 128 natural white, not bright white, pages.
At 50lbs, it is much lighter in weight than my normal sketching journal.
The Hahnemühle Nostalgie Sketchbook** is my daily sketchbook,
and has smooth white 90lb paper.
But then, it is intended for pencil and chalks!  From the site:
“The natural-white sketch paper with its slip-proof surface is perfectly suited
for sketching and drawing with pencil, coal and red chalk.
Its abrasion properties make for brilliant colours and clear contrasts.”

I tested writing with an HB and very soft 6B pencil, above right,
and this paper loves my Pentalic Woodless pencils.

I tested an EF nib with Platinum Carbon (waterproof) ink over the HB pencil sketch.
The nib was a little scratchy on the lightly textured paper,
but I soon got used to it and then it did not bother me at all.
The ink, and a large dot of DeAtramentis Document Black ink,
did not ghost nor seep through the other side.
Pencil erased completely.

I don’t use colored pencils often but have a nice set of watercolor pencils and tested those;
again, this paper was made for pencil — it was a lovely experience laying pencil down.
I used a fat waterbrush to push the watercolor pencil around on the paper
and the good news: while it is not meant for wet mediums,
it also held up and did not ghost nor bleed on the back side!
(Tip: clip the corners of the pages to keep them flat while drying.)

I didn’t think that this journal would take watercolors, but gave it a try to test it anyhow.
I began with an ink drawing, and then began with the wash of the sky.
The biggest issue was the wash caused the paper to buckle,
making a nice sky a little difficult.  However, adding the clouds to the bottom was easy,
and going over watercolors already on the page went well, which surprised me.
What surprised me more was that the paper didn’t fail altogether, being that the weight is much to light for watercolors.  My overall feeling about the experience though was that I was fighting the nature of the paper, which is clearly not meant for watercolor,
which you can see from the backside, it stood the test of taking wet material,
however, the paper still is not MEANT for watercolor.
But if you were out with this journal and were moved to go for it,
it is nice to know the paper can take it.

The Bamboo Sketchbook is, as are all of Hahnemühle’s journals, a lovely journal.
Because I have it I will push myself to play with watercolor pencils a bit more,
and combine a the ink and colored pencil.  However, for those that follow me, for the artwork that I normally create, I am better suited to the heavier bamboo Carnet de Voyage.

Full disclosure: the Bamboo SketchBook was given to me by Hahnemühle.

In the USA the Bamboo Sketchbook can be found at Wet Paint Art and Hyatt’s:
https://wetpaintart.com/hahn-bamboo-sketch-a4-64sh/
https://www.hyatts.com/art/hahnemuhle-bamboo-sketch-book-a5-B22062
https://www.hyatts.com/art/hahnemuhle-bamboo-sketch-book-a4-B22064

The spiral bound heavier Carnet de Voyage which I reviewed earlier can be found here:
https://wetpaintart.com/bamboo-carnet-de-voyage-6×10/
https://www.hyatts.com/art/hahnemuhle-bamboo-mixed-media-travel-journal-B10995

Sending you to their home site because you are all over the world.
**Reviews for my Hahnemühle go-to sketching journal are below:
Tools: Nostalgie Sketchbook by Hahnemühle;
and Nostalgie Book 2017 shows the first year, 2017.

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