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Category Archives: commission
Liza, a Commission
Liza is a commission for a friend to gift in remembrance of her furbaby! I started several versions of her, and the difficulty was that she was white, white, and grey… and white! White is harder to define… Finally the … Continue reading
Posted in commission, creativity, drawing, ink painting, painting, pen & ink, virtual sketching, watercolor
Tagged #catportraits, #greytabby, #HahnemühleHarmony, #ilovemycats, #itakecommissions, Cat, Daniel Smith watercolors, Holbein, Pentalic HB woodless pencil, Platinum Carbon pen, Primatek, Sennelier, watercolor
2 Comments
Sweet Commission
I had the pleasure to create a sweet painting of a little apricot and grey tortie. I love tortoise shell cats, and the big bummer is that I did not get a picture of her finished! She’s lost her whiskers … Continue reading
Posted in commission, creativity, drawing, ink painting, painting, pen & ink, virtual sketching, watercolor
Tagged #ilovemycats, #itakecommissions, #torties, #tortoiseshelltabby, Cat, Daniel Smith watercolors, De Atramentis Document ink, Holbein, Lamy Al-Star, Pentalic HB woodless pencil, Platinum Carbon pen, Primatek, Sennelier, watercolor
8 Comments
Painting on Demand
I find commission work, or painting on demand, very different than painting for myself. I spend most of my time creating for myself, exploring something that I find interesting, a medium or color or an idea. Commission work is usually … Continue reading
Posted in art journal, commission, history, oil paint, painting, portrait
Tagged #DARstateflag, #gamblinartistcolors, #gamblinoilpaint, #mpfconservation, #paintingconservation, #replication #paintingonsilk, #washingtonstateflag, commission, flag, MPF Conservation, painting on silk, replication, State Flag, Washington history, Washington State DAR, Washington State Flag, watercolors
7 Comments
Journaling the DAR Washington State Flag
In my other life (the one that pays the bills), Mitchell and I own a conservation business which conserves (restores) antiquities, both private and institutional. I do a lot of finish (painting, shellacking) work in our business, as well as … Continue reading
Posted in art journal, commission, history, oil paint, painting, portrait
Tagged #DARstateflag, #gamblinartistcolors, #gamblinoilpaint, #mpfconservation, #replication #paintingonsilk, #washingtonstateflag, DAR, flag, MPF Conservation, painting on silk, replication, State Flag, Washington history, Washington State DAR, Washington State Flag
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MPF Conservation: Washington State Flag First Drafts, Paper
In my other life (the one that pays the bills), Mitchell and I own a conservation business which conserves (restores) antiquities. I do a lot of finish (painting, shellacking) work in our business. The DAR approached us to recreate the … Continue reading
Posted in commission, history, oil paint, painting, portrait
Tagged #DARstateflag, #gamblinartistcolors, #gamblinoilpaint, #mpfconservation, #replication #paintingonsilk, #washingtonstateflag, DAR, flag, MPF Conservation, painting on silk, replication, State Flag, Washington history, Washington State DAR, Washington State Flag
4 Comments
Sketches toward the commission
I work a couple of sketches similar to the commissioned pieces. trying strokes for leaves, sky variations, whatever I need to play with! The two small studies of bungalows in NW Portland (below) turned out okay for test subjects!! They … Continue reading
Posted in architecture, art, commission, making a living, pen & ink, virtual sketching, watercolor
Tagged architecture, art for sale, bungalow, Emerson Street, Holbein, house, Killingsworth Steet, Lexington Grey Noodlers ink, NE Portland, Platinum Carbon pen, Portland Oregon, Sennelier, Super5 ink, virtual sketching, watercolor
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Walnut Park, Portland, Oregon Commission
A commission to create a painting from photographs for an intern leaving for the next leg of her journey landed on my desk. I typically work on several images at the same time; it relieves the pressure in case one … Continue reading
Posted in architecture, art, commission, making a living, painting, pen & ink, process, virtual sketching, watercolor
Tagged #bungalows, #Portlandoregon, #streetscene, architecture, commission, Daniel Smith watercolors, grisaille, Lexington Grey Noodlers ink, Noodlers ink, Platinum Carbon pen, Portland Oregon, Primatek, Sennelier, Super5 ink, watercolor
15 Comments
Dan’s Squirrels
Commissions are harder because I have a happy outcome in mind. I can see the person who the piece is for and see that smiling face and… My Monkey Mind Critic kicks in… Black animals are the hardest…. black cats, … Continue reading
Posted in animals, architecture, art journal, commission, creativity, pen & ink
Tagged black squirrel, Daniel Smith watercolors, De Atramentis Document ink, Holbein, Lexington Grey Noodlers ink, Noodlers ink, Pentalic HB woodless pencil, Platinum Carbon pen, Primatek, Sennelier, Super5 ink, watercolor
5 Comments
Restore Oregon Endangered Places 2016
The series for Restore Oregon Endangered Places 2016, is now on one page. Restore Oregon is a cause I can support. Drawing old buildings is always fun for me, as I began life as an architect. Restoration is my passion, … Continue reading
Posted in architecture, commission, creativity, urban sketchers, virtual sketching, watercolor
Tagged architecture, commission, Daniel Smith watercolors, De Atramentis Document ink, Demuro Award, Lamy Al-Star, Lamy Joy, Oregon, Pentalic HB woodless pencil, Pilot Parallel pen, Platinum Carbon pen, Primatek, QoR watercolors, Restore Oregon, Sennelier, virtual sketchwalk, watercolor
2 Comments
Restore Oregon: The Oregon Caves Historic District
The Oregon Caves Historic District covers six acres of the Oregon Caves National Monument and Preserve (OCNMP) in the Siskiyou National Forest, which is accessed through Cave Junction in southwestern Oregon. The historic district includes four primary buildings: the Chalet, … Continue reading
Posted in architecture, art, commission, furniture
Tagged #inktober, architecture, brunaille, Cave Junction, Chateau, commission, Daniel Smith watercolors, De Atramentis Document ink, Fineline Masking, grisaille, grisaille underpainting, Holbein, Lamy Al-Star, Mason Monterey, MPF Conservation, Oregon, Oregon Caves NM, Pentalic HB woodless pencil, Pilot Parallel pen, Platinum Carbon pen, Primatek, QoR watercolors, Restore Oregon, Sennelier, Southern Oregon, virtual sketchwalk, watercolor
12 Comments
Restore Oregon: Lindberg House
Peter (Pehr) John Lindberg house, located in the small coastal town of Port Orford, was built over a four-year period from 1892 to 1896. The home was designed and constructed in the Queen Anne style by Mr. Lindberg, who was … Continue reading
Posted in architecture, art, commission, drawing, history, painting, pen & ink, virtual sketching, watercolor
Tagged #inktober, architecture, cedar, commission, Daniel Smith watercolors, De Atramentis Document ink, Fineline Masking, Holbein, Lamy Al-Star, Oregon, Pentalic HB woodless pencil, Peter (Pehr) John Lindberg, Pilot Parallel pen, Platinum Carbon pen, Port Orford, Primatek, QoR watercolors, Queen Anne Style, Restore Oregon, Sennelier, shingles, virtual sketchwalk, watercolor
2 Comments
Restore Oregon: EOU Inlow Hall’s Grand Staircase, La Grande, Oregon
Eastern Oregon University’s Inlow Hall’s original grand staircase has fallen into disrepair, below, and Restore Oregon is assisting with the restoration efforts of this once beautiful and important grand staircase. It was used in many ways for formal and informal … Continue reading
Posted in architecture, art, challenge, commission, drawing, history, landscape, painting, pen & ink, virtual sketching, watercolor
Tagged #inktober, architecture, brunaille, commission, Daniel Smith watercolors, De Atramentis Document ink, Eastern Oregon University, Fineline Masking, Grand Staircase, grisaille, grisaille underpainting, Holbein, Inlow Hall, La Grande, Lamy Al-Star, Oregon, Pentalic HB woodless pencil, Pilot Parallel pen, Platinum Carbon pen, Primatek, QoR watercolors, Restore Oregon, Sennelier, verdaille, virtual sketchwalk, watercolor
12 Comments
Jantzen Beach Carousel 6, Roman
One of my favorites, the Roman Horse! Jantzen Beach Carousel is a series, and this is the sixth and last of this set. (Below are links to others previously posted.) The many layers, above. 1) I began with a sketch … Continue reading
Posted in animals, architecture, art, commission, history, memory, painting, pen & ink, process, virtual sketching, watercolor
Tagged #inktober, amusement park, architecture, armored horse, armoured horse, commission, Daniel Smith watercolors, De Atramentis Document ink, Fineline Masking, grisaille, grisaille underpainting, Holbein, horses, Jantzen Beach Carousel, Lamy Al-Star, M.Graham, Mason Monterey, Oregon, Pentalic HB woodless pencil, Pilot Parallel pen, Platinum Carbon pen, Portland, Primatek, QoR watercolors, roman horse, Sennelier, virtual sketchwalk, watercolor
7 Comments
Jantzen Beach Carousel 5, Eagle
The all-American Eagle Horse! Jantzen Beach Carousel is a series, and this is the fifth in the set. (Below are links to others previously posted.) De Atramentis Document brown (brunaille) and Noodler’s Lexington grey (grisaille) worked the undertones. A video … Continue reading
Posted in animals, architecture, art, commission, history, memory, painting, pen & ink, process, virtual sketching, watercolor
Tagged #inktober, Americana, amusement park, architecture, bald eagle, commission, Daniel Smith watercolors, De Atramentis Document ink, eagle, Fineline Masking, grisaille, grisaille underpainting, Holbein, horses, Jantzen Beach Carousel, Lamy Al-Star, M.Graham, Mason Monterey, Oregon, Pentalic HB woodless pencil, Pilot Parallel pen, Platinum Carbon pen, Portland, Primatek, Sennelier, virtual sketchwalk, watercolor
11 Comments
Jantzen Beach Carousel 4, Pinto Fishing
I had to work a Pinto into the series! Jantzen Beach Carousel is a series, and this is the fourth in the set. (Below are links to others previously posted.) The many layers, above and below. I think the fish, … Continue reading
Posted in animals, art, commission, history, memory, painting, pen & ink, process, virtual sketching, watercolor
Tagged #inktober, amusement park, architecture, commission, Daniel Smith watercolors, De Atramentis Document ink, Fineline Masking, fishing horse, grisaille, grisaille underpainting, Holbein, horses, Jantzen Beach Carousel, Lamy Al-Star, M.Graham, Oregon, Pentalic HB woodless pencil, Pilot Parallel pen, pinto, Platinum Carbon pen, Portland, Primatek, QoR watercolors, Sennelier, trout, virtual sketchwalk, water serpent, watercolor, White Uniball Signo pen
25 Comments
Jantzen Beach Carousel 3, Floral
One of my favorites, the Floral Horse! Jantzen Beach Carousel is a series, and this is the third in the set. (Below are links to others previously posted.) The many layers, above. Grisaille (pronunciation, taken from the French word for … Continue reading
Posted in animals, architecture, art journal, commission, history, painting, pen & ink, process, virtual sketching, watercolor
Tagged #inktober, amusement park, architecture, commission, Daniel Smith watercolors, De Atramentis Document ink, Fineline Masking, floral horse, grisaille, grisaille underpainting, Holbein, horses, Jantzen Beach Carousel, Lamy Al-Star, M.Graham, Mason Monterey, Oregon, Pentalic HB woodless pencil, Pilot Parallel pen, Platinum Carbon pen, Portland, Primatek, QoR watercolors, Sennelier, virtual sketchwalk, watercolor, White Uniball Signo pen
13 Comments
Shift In Goals: A Post from My Patreon Page
Goals are shifting for me, and instead of rewriting what I posted succinctly to my Patreons, I am sharing it with you, my blog followers. I am a Patreon to several artists, and have my own Patreons, a modern way … Continue reading →