Lojong 36: Don’t be so Predictable

I’ve studied through the slogans a dozen times in my life;
these are my musings on the slogan currently, not a formal interpretation.
For that reason they are less about straight Buddhist teachings,
and I think able to be shared with most practitioners of other faiths or no faith
(unless yours doesn’t allow you to read any other tradition.) 

If you have time and the inclination, I published the WHOLE  thang here!


#30.  Don’t be so predictable.


Often said while reading the newspapers…

The news media jerks us around for ratings, so they can sell ads and make money.
They don’t produce news anymore, or else we would know what is really going on instead of constantly hearing some stupid thing Trump said, or some stupid thing a celebrity said, or yet another shooting and how sorry the congress is…
We’d hear of toxic dumpings and rising waters and
rising levels of pharmaceuticals in our rivers and oceans and
the torturous things that the USA is doing to children in immigration camps and
the truth about the opioid crisis.

Instead they yah-yah-yah on endlessly about
how two men or two women committing to one another hurt YOUR marriage….
about Trumps latest tweet…
about how a small group of stupid people don’t believe in science…
The media will say what they KNOW will piss you off.
Distract you with bright shiny objects while taking your wallet from your pocket
or killing your children, slowly making sure they have NO future.

How can they do this?
They know exactly how you will react.

And this can be applied to so many things…

Got teenagers?  Wow they know how to push your buttons!
Parents put the buttons there so they also know where to find them!
Boom!  We are off and running to an argument!

The point is, don’t have knee-jerk reactions.
Think about how your respond to mom and dad and child and sibling…
Decide what you want to know about and find information on THAT…
talk about important stuff in the coffee room.

Don’t be so predictable.
Think for yourself.
Reflect.

Easily one of my favorite slogans.

Okina Journal, with Pilot Metropolitan with Platinum Cassis Black ink.

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Pink Posies on both Hahnemühle Post Cards

Loving the options of the two types of Hahnemühle Post Cards!
Cold pressed on the left, above, and rough on the right.

I found a way in to painting without line-work
through a fellow painter, Tom Brudzinski… His is more my style than Marc Holmes!
He articulates graphic shapes not lines…. And color!
I tried the posies and felt good about them…

The rough texture or the smoother cold press offer options!

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Lojong 37: Staying Present

I’ve studied through the slogans a dozen times in my life;
these are my musings on the slogan currently, not a formal interpretation.
For that reason they are less about straight Buddhist teachings,
and I think able to be shared with most practitioners of other faiths or no faith
(unless yours doesn’t allow you to read any other tradition.) 

If you have time and the inclination, I published the WHOLE  thang here!


#28: Abandon any hope of fruition.

When you are hoping for this or that, your mind is future, not present.
Hoping is not problem solving.
Hoping is thinking about outcomes based on action or on non-action.
I am in such a place on several fronts right now.
I find I have to let go of futuring and hoping for outcomes because it is consuming.
I’ve taken all appropriate actions; done what I can do…
I am present to be able to step in if there is an opportunity to  do this or that…
But there is NOTHING for me to do presently except what is necessary
and in front of me now and now and now.
My work, play with the cats and Mitchell, watch a movie, make marks, and meditate.

*now if I can just practice what i know to be true…
turn it over to god/dess, the isness, the universe…
i have to remind myself daily, as worrying is a part of MY futuring…*

Okina Journal, with TWSBI ECO 1.1stub with Rohrer & Klingner Alt-Goldgrun ink.

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Tools: New Cold Press Hahnemühle Post Cards


Loving Hahnemühle Post Cards as I do, I am thrilled to have the cold pressed option!

Fabulous!  Perfect!  I am in love!!

When I started with the first batch of post cards, highly textural,
I loved the size/shape but struggled with the paper, 250 gsm rough texture.
As I worked with it (I am on my third tin), I began to love the texture.
I’ve always loved texture when painting, and this provided a complexity.
Above, you can see a detail of the textural versus the cold pressed.
(Review of Hahnemühle Textured Post Cards here.)


Painting on the cold pressed postcards, I do it just as I have before,
I still secure the edges on a stiff board.


Now bear with me, as I am also playing in
the crazy #30x30directwatercolor2018 challenge… above…
NOT happy with direct watercolor; I miss inked or penciled lines!!!!
Yet look at how lovely the colors look on the image above!
*mind my markmaking not the best*

Great layers, bold colors pop on the cold press post cards!

The cold pressed is soooo smooth, but not smooth like hot pressed,
which would not be interesting to me.  Just enough tooth!

No ink above…. but below…


Ah, back to heavenly linework! 

This is a real test of the post cards, as the ink from the scratchiest fountain pen
glides on the smoother surface!  The paper also takes many layers, as I
dropped and plopped color everywhere, and even removed a wayward run…


Here I used an underlayer of Fineline Masking Fluid,
and the paper worked well with the masking fluid, staying strong.
Look at how deep the Primatek mix appears!
The Da Vinci paints show well on this paper.

I am thrilled to have this option, and will probably buy more of this in the long run than the textural, just because of the linework gliding onto the smoother cold pressed surface.

How do I use them?
I know from experience that peeps LOVE getting a hand painted post card.
I admit to sending them in an envelope though… I don’t want to risk the weather!

Thumbs up, as usual, for Cold Press
Hahnemühle Post Cards!

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Painting Without Inking


The 30×30 Direct Watercolor Challenge started June 1…
The idea is to begin to paint directly with no inking and no real pencil work.  (I cheat.)
If it were not Marc Holmes thang, I might not try it.
He is really one of the best teachers around.


It’s not a new idea — and I like to play with it with inks especially, like the Buddha above.
Then I am usually building shadows, going deeper with each brush of waterproof ink.


Enjoyed the portrait — but then, I rarely do them!


On the other hand, I love linework, and so, I don’t know if I’ll like this.
One thing about trying a challenge now and then is what you learn from it —
and I hope that perhaps I will learn a bit about a couple of brushes I don’t use much.
Some who lie painting this way use their daggers and liners in place of linework.

But so far, meh!


As with all challenges, I’ll do as much as I like —
I have other things I am working on and I don’t paint 24/7!

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Posted in architecture, art journal, challenge, color, creativity, ink painting, journal, painting, portrait, process, sketchbook, virtual sketching, watercolor, writing | Tagged , , , , , , , , , , , , , , , , | 2 Comments

Lojong 36: The Big Stuff First

I’ve studied through the slogans a dozen times in my life;
these are my musings on the slogan currently, not a formal interpretation.
For that reason they are less about straight Buddhist teachings,
and I think able to be shared with most practitioners of other faiths or no faith
(unless yours doesn’t allow you to read any other tradition.) 

If you have time and the inclination, I published the WHOLE  thang here!


#27.  Work with the greatest defilements first.


Mine was anger.  I had a hot temper, manifesting in yelling.
Until I started tonglen / lojong I had no way in to even begin to stop it,
it just happened so fast.  When I got mad, I could not stop and think.
This slogan helped me tremendously, giving me  a way to work with it.
In fact, before that, when I was angry and knew it was not right (a first dawning),
I wanted to stop but didn’t know how!  I know that sounds funny,
but I actually didn’t know how to stop the anger as I began to see it was inside me.
When I knew that I was the one angry, the other person might not be anything but stunned at my response. then the guilt and no way to stop it (in my mind) made the situation worse for me and then I was crying and angry.   A MESS.

I began to stop trying to talk (or holler) when I realized that
my triggered angry response was inappropriate.  I said I needed a break.
I went in and wrote about being angry, then when that was exhausted I began to stop writing about it altogether, the story line as Pema Chodron calls it.
(This was before her writings.)
Instead I did zazen, sit meditation, and felt into the places I was angry.
Of course, this synopsis did not happen fast, but soon I realized that my anger
was all about hurt feelings.   Underneath the anger, especially the hair trigger emotional anger that did not seem justified to others, was hurt, tremendous hurt,
hurt that had built up for a lifetime of not knowing how to deal with it.

I started dealing with it.  “That hurt my feelings.”

Sometimes that got me nowhere in terms of the other person, but I felt the shift in me.
Now I had to learn what to do when they didn’t care if it hurt.
How did I take care of myself?

It didn’t happen overnight but over a 1-2 year period, and then years after as I found ways to deal wit the hurts that never went away, the hurts that were intentional by the “other”, the hurts of the world, the hurts I felt on another person’s behalf, and on and on.

Seems like the reason I was always so angry is that I actually was a sensitive person.
Who woulda thought?

This is by far one of the most difficult and rewarding slogan in my book,
encouraging us to get to it —
or as Trungpa said, “We want to work with the chicken, not the chickenshit.”

*i may have to revisit this one… raw writing, no editing but for spelling*

Okina Journal, with pen and ink,

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Buddha Om


Playing around, like ya do…
Was a bit blue when I did it, and it cheered me.  Art cheers!
I thought I was done but then I came back in with crayons and played around
with deeper color.  A throwaway piece but I had fun layering oms….

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Tools: Review: Hahnemühle D and S Sketchbook


What is it about a new journal?
I love the blank page — not one of those peeps who hates them.

The Hahnemühle D & S Sketchbook (Draft and Sketch) is a new journal for me.
I wanted to try it and bought two landscape versions when ordering other journals.
At 140gsm/65 lbs the paper is a bit light for my normal watercolor or inking needs,
but I am always pushing the limits of paper, always curious,
and as I am so pleased with Hahnemühle’s journals, had to try!


As I’ve phased out many old journals by finishing them, I have moved into having just a couple of journals for daily use, and everything goes into them with few exceptions.
My artwork/notes/journals are becoming much more like when I practiced architecture,
laid out in calendar form, so you see how I was growing and thinking daily.
One is a bit more for class notes, writing and sketching out ideas, and that is why I wanted to try the A5 D & S Sketchbook, to see if it suited my normal journalling tools.
My other go-to is the A4 or A5 landscape Hahnemühle Watercolour Journal,
for watercolor / ink painting use, urban sketching, virtual sketching (I run a group), etc.

After using the journal for a month I can say I’ve put it through its paces,
as it has been my nightly journal (with popcorn and brewers yeast, as you can see.).
I’ve used watercolor, WET fountain pens, brushed ink, and of course, pencil in it.

I think the D & S Sketchbook behaves wonderfully for pencil,
which I often use and you don’t see because it is usually over-painted.
There is a nice tooth to the paper for colored or carbon pencils!
At 80 sheets/160 pages and beautifully bound, this is a journal that
can take abuse and stay strong for its lifetime.

The paper behaved well for inked sketches (above, in order)
with the very wet writing Jinhao with a Goulet 1.1 stub nib and Super5 Frankfurt ink,
with the Lamy Al-Star and Robert Oster Jade ink, and with the Pilot Metropolitan with Platinum Cassis Black or  Platinum Lavender Black inks.


The D & S Sketchbook feathered terribly with Platinum Carbon Pen and
Platinum Carbon ink waterproof cartridges, however, and I am not sure why, as the pen writes drier than the stubs I use… perhaps it is something in the carbon black ink.


The  D & S Sketchbook worked well with Sumi ink with a brush,
and the Lamy Joy with Super5 Darmstadt ink in a 1.1 stub, a wet writer.


I used watercolor daily, and the D & S Sketchbook is fine if used
with a light one-pass wash or detailed brushstrokes…
Each layer needs to be thoroughly dry between coats.  And NO scrubbing!


The D & S Sketchbook cannot take a second pass of water if the first pass is still wet,
above and below, or double layers of ink without the paper balling and lifting,
which is expected as it is NOT meant for watercolor.
Paper that is not meant for watercolor absorbs the pigment quickly;
the pigment sort of sits on top without easily moving across the page.
The colors are all a bit “off” and lack vibrancy, or too thick and don’t glide onto the paper.
This was fine as a test, but definitely not my first choice for watercolor.

Finally, here is a watercolor sketch I would normally create on watercolor paper, above.
It combines elements of ink (Lamy LX pen with De Atramentis Tobacco ink),
and several layers of both ink and watercolor piled on liberally.
I did not respect the rules that I considered important for the paper but treated it as I might the Hahnemühle Nostalgie Sketchbook, my favorite daily sketchbook, which can take MOST of what I throw at it even though it is also not watercolor paper, at 90 lbs.
In this case, the ink bled through the page (second image) and even onto the other side,
and again, the colors are not as vibrant as they should appear.

This does not happen in the Hahnemühle Nostalgie Sketchbook, example shown above, where the 90 lb paper can take watercolor and show it off brilliantly.

Would I recommend the Hahnemühle D & S Sketchbook?
Not so much for someone like me, who wants to be able to dip into
watercolors or use ink like a watercolor within a daily journal practice.
I will stay with the Hahnemühle Nostalgie Sketchbook for classes/scribbling/writing,
and the A4 or A5 landscape Hahnemühle Watercolour Journal for watercolor treks.

 However, I would recommend the D & S Sketchbook, for someone using
pencil or micron pens to sketch, or some of the drier fountain pen/ink combos —
just test the pen/ink combos on a back page before committing to a drawing.
I would recommend it for a mixed media artist who is doing collage work, using acrylics,
as it took glues in two instances very well, both Aileen’s white glue and my gluestick.
I also love that the journal can be found in my favorite A5 landscape format,
which is not that easy to find in a sketchbook,
and is well made as are all Hahnemühle’s journals.


Places that sell Hahnemühle D & S Sketchbook other than Amazon?
These places may not have them online but they do carry them:

1). FLAX ART & DESIGN (California Art Supply)
3600 S EL CAMINO REAL, SAN MATEO, CA 94403
(If they carry them at one Flax they may at others.)
Item 10628272 Sketch Book D&S, 140gsm, 8.19 x11.58in Portrait, 80 sheets, black
Item 10628271 Sketch Book D&S, 140gsm, 8.19 x 5.77in, Landscape, 80 sheets, black
Item 10628324 Sketch Book D&S, 140gsm, 5.77 x 4.09in, Landscape, 62 sheets, black
Item 10628329 Sketch Book D&S, 140gsm, 4.92 x 3.55in, 30 sheets, black
Item 10628200 Sketch Book D&S, 140gsm, 16.38 x 11.58in, Landscape, 80 sheets, black
Item 10628273 Sketch Book D&S, 140gsm, 11.58 x 8.19in, Landscape, 80 sheets, black
Item 10628274 Sketch Book D&S, 140gsm, 11.58 x 16.38in Portrait, 80 sheets, black

2). B&H (carries several sizes in their dropdown menu)
CUSTOMER SERVICE: 800.221.5743 or 212.239.7765

3). WB HUNT Photo
10628270 Sketch Book D&S, 140gsm, 5.77 x8.19in Portrait, 80 sheets, black

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VSW: Mexican Church


Growing up, I attended a Mexican mass at the San Juan Capistrano mission church.


The shapes of Mexican architecture and the sounds of the language feel like home.


The colors are also my colors in our home, warm and bright.


I also tried this with no lines, just watercolor.
It was fun to try, but every time I do these things
I come back to loving line work and color, both!

How about you?  Line work, color only, or both?


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Sketching for Presentations: French Sofa


More design sketches for our client, the owner of the Louis XVI Settee.


Silk bolsters for the arms, with flirty tassel-dangly-bobs.


French knotted India silk creating scrunchy pillows for the back.


The entire sketch…


You may remember that the LouisXVI made it into another sketch…
Mitchell laying down on the job!

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Curry is Magic


A good meal feels like it can solve anything.
Or maybe it is just the cooking and the smell of curry filling the house.

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USk: Walk in NW Portland


Late Spring walk in NW Portland; people are gardening!
Passion-flowers, late daffys, lavender…
seem a bit confused as we are having such strange weather!


Had mom on my mind…

Loving the Platinum Lavender Black ink, black with a touch of purple!

Hahnemühle D & S Sketchbook,
Pilot Metropolitan with Platinum Lavender Black ink.

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VSW: Diego Rivera’s Museum

From Frida to Diego!
Or the place they shared together….
That amazing blue of hers is on her building!

Sometimes it is simply better to leave line drawings alone…
I liked them and I didn’t take but a couple pics.

I was pretty stressed and painted the line drawings to alleviate the stress…
Upset about the events of the week…  And so…

I OVERWORKED THE PAINT!!!!

Ah well!  It did the trick and helped me through the day.
I prefer Frida’s below!


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Lojong 35: Antidote to the World’s Sorrows

I’ve studied through the slogans a dozen times in my life;
these are my musings on the slogan currently, not a formal interpretation.
For that reason they are less about straight Buddhist teachings,
and I think able to be shared with most practitioners of other faiths or no faith
(unless yours doesn’t allow you to read any other tradition.) 

If you have time and the inclination, I published the WHOLE  thang here!

Late but oh well… Mom is taking precedence these days.


I’ve reach a section of the slogans where there are many that seem so obvious,
so easy to understand, things as a young Catholic I was taught,
things my family taught me I needed to do in order to be a decent human being.
I am always floored they need to be elaborated on.
Yet in sanghas around the world,
(and churches around the world though not called lojong slogans)
they are taught thoroughly, and so much of the difference
between dysfunction and a decent human being lay in these ideas.


When I read these, the simplicity of “Do onto others as you would have them do onto you,” is what comes to mind.  When I am working the slogans and these happen to land in my altar, I breathe in all the pain and suffering caused by the lack of care in these issues,
and breathe out that phrase, envisioning a world whereby people CARE.

SO TODAY I ASK,
WHY ARE THESE SUCH AN ISSUE?

In the USA, we’ve elected a President who does the opposite of each one of these.
He makes fun of those with birth defects.
He uses women and makes jokes about rape.
He tweets his (mostly) lies about whomever he is angry at that day.
When the world is mourning, he attacks.
He is never wrong, never has been, never ever done a thing.
He does not take responsibility.
He is beyond competitive… even with his own children.

I bring this up not to be political, because my issues with this administration are waaaaaaay beyond politics, as I am daily horrified as to what is happening and
how easily the American press is about what is happening.  I want to point out the
utterly depressing fact that even if you don’t agree he won an election, many many people voted for him.  Many many people align with his way of being.
Many people want to harm the poor, thinking they are inferior and do not count.
Many people do not care what happens to children once they are born.
Many people want to harm the elderly, leaving them cold, hungry and abandoned.
Many people hate on gays or people of color.
Many people are okay with women being used for their bodies without consent.
The press is gleeful that they have someone who drives ratings;
ratings is all they care about, even if it is harming the people and our country.
If you think that I am wrong, then why did so many people
vote for him when he made these issues clear before the election?

I come from a split family politically and my Republican family is not like THAT.


In our home, when we denigrate, even in some of our discussions about politics,
we always look at where this issue may be lurking in our own psyches.
So I ponder our current politics and the evil behind this administration,
take it to the zafu when meditating, in order to fine-tune my own habitual mind…
and what I see, is that when very angry or fearful, I tend to think about
revenge, greed, etc… minds do that… but I don’t act on it.

Maybe I did as a child and was upbraided by my mom for my actions.
I remember a few incidents at 7 or 8 years old.
She usually taught me to think about how I’d feel if it was done to me.
I thought about it; I didn’t like it.  Gradually the grossest things shifted, and even when someone harmed me, I didn’t retaliate in an infantile harmful way.
I confronted them and got angry directly, and later would begin to tame that tendency.
Anger harnessed properly can be a productive force.

I’ve never been able to stop my mind from any negative crappy thoughts,
but I can stop my actions, I can do what is right.
In the refinement of Buddhist teachings, one tries to stop the negative mind games too, and I try, and usually fail woefully.  But I stop my actions!

In the last two decades we’ve had seven people try to harm us in various ways.
Three were unbalanced family members.
Okay, I get that, even if I didn’t deserve it… it hurt.
But their stuff is a bit easier to see clearly.  And in each case I did not harm, a good test.

The others were just people… Yes, we can say they are disturbed,
gads people who try to do others harm are disturbed!
Active alcoholism in involved in some…
Jealousy?  A spurned sexual encounter?
Hating men (then I am the outfall with Mitchell as a mate)?
While it has always been a pain to fight through these things to balance,
each time the one thing that depresses the crap out of me is the why?
Why would anyone go out of their way to harm someone,
especially one who has not harmed them at all,
possibly even sometimes championed them?

I don’t struggle with the action of “Do onto others as you would have them do onto you.”
I struggle with my vindictive thoughts, and if the Universe is trying to get me to clean up
my negative thoughts, good luck on that one (I am laughing as I write this.)
When attacked, I still think about someone getting their due…
I can resolve to clean that up too but I doubt it will happen in my lifetime.
After all, a lifetime of meditation and I can’t always get my mind to quiet!

I struggle with the heinous nature of the people who would go out of their way to harm.
It rocks me to my core, depresses the crap out of me.
It can take me out, make me sob, make me wonder why humans are allowed such power by the Universe / God / Goddess / The great IS.

This is why what is going on in our country is so far beyond politics.
It is about decency, basic goodness, and evil.
We don’t need to be enlightened to have the world be a better place,
we simply need to BE DECENT PEOPLE and vote to support decent people,
if we can find any to support.

Okina Journal, with pen and ink,

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Sketching for Presentations: Pair of Louies


I created design sketches from images and samples,
so that we could better talk with our client about ideas for her sofa pillows.


These are fancy pillows and the colors are
lovely rusty jewel tones with touches of green and amethyst.


Pillow overalls and details….


I like the idea of cream silks to set off the deep jewel tones.


The page, altogether, ideas wandering on their own.

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Tools: My Watercolor Journal


So you’ve seen the back of this journal… my Ink Journal!

Paints are in the front!  I wanted to see all the paints I own and the ones I no longer own!
*yesh, i pass on paints i don’t like so much,
to kids i know or to artists i know who love that brand…
sometimes i simply don’t buy them anew and want to remember why!*

I’ve tried sample cards and they don’t work well for me… Journals work better.
As I have a few Fabriano Watercolor journals that I don’t like I decided to use one for a sample journal.  The biggest thing to remember, is that the striation in the watercolors is largely because of the Fabriano paper, not the paint.  I know this because many of these I use all the time in other journal and on various papers…

 
These pages will have a lot more notes and commentary as I use them.

The pages are loosely ordered by paint ingredients
(such as grouping many Quins together, above), or visual color ranges,
but sometimes I ran out of space…
*did i mention ever that i love the quinacridones?*

Names are on the sample by initial:
DV = DaVinci
DS = Daniel Smith
PDS = Primatek Daniel Smith
H = Holbein
MG = M.Graham
SN = Sennelier
SCH = Schminke
JS = JazperStardust
PF = Pfeiffer Art
G&B = Greenleaf & Blueberry
WN = Windsor Newton
QoR = QoR
Grilli is Grilli!

Looking at these all at once you can see I buy greens… not so much, purple.
The reason there are so many red is that I am trying to find a
perfect TRANSPARENT red, not an orange red or a purple red…
I did not separate the Primatek paints our but put them with their colors.

I don’t know if it helps you to see this, but this is another thing I did while
waiting on the phone to talk to doctors and nurses about my mom…

So I shared!

Da Vinci, MatteoGrilliArt, JazperStardust, PfeifferArt, Sennelier, QoR, Holbein,
MGraham and  DS Primatek watercolors, and Daniel Smith Watercolors.

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Posted in color, painting, process, watercolor | Tagged , , , , , , , , , , , , , | 4 Comments

VSW: Frida Kahlo’s Museum


This virtual walk is exciting for me because I love the vibrant colors of Mexico!
For food, Chinese or Japanese is home;
for color and furnishings, it is Mexican or Spanish!


I started our walk at Frida Kahlo’s home/studio and museum,
and walked to Diego Rivera’s home / studio and museum.

This is her amazing cornflower blue building with rich tiles all around.
The courtyard is fecund, an oasis in the city.


I adored seeing her studio and desk.  So many images of it abound!

I did the sketches in a two page spread.
When I do spreads, I usually lay out boxes in my mind’s eye,
then look at possible vignettes to fill them.
It allows me to do wide angles or small details, telling a story.
By the way, after using a 5×8 landscape Hahnemühle Watercolour Book,
I am really enjoying having room to do layouts like this on such wonderful paper.
The book also lays completely open and flat, which I love.

I have a question… when I visit an artists blog I want to see their images big, and so many artists are now making them not much bigger than a thumbnail.  How do you feel about this?


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and sign up for my newsletter!

Posted in architecture, art journal, challenge, color, landscape, pen & ink, sketchbook, virtual sketching, watercolor | Tagged , , , , , , , , , , , , , , , , , , , , , | 8 Comments

Cat Squares, 1

I just keep the pen moving…
Don’t think, just journal.
Keeping this sketchbook at my work desk I remember little things all day…
like the crazy stuff with the cats.
Fifteen minutes for most of these,
no thinking, just draw, then just write.

I’ve always loved squares.
Since I was an architect I’ve loved squares.
I don’t have bookshelves I have book squares.


1. THE PUCK
If I were to add anything, it is that he reminds me of a Lab I knew,
“Throw the ball throw the ball throw the ball,” times infinity.
I taught Yaman to fetch and it is his favorite game.

Savitri too… but a different toy.


2. THE TOOTHPICK
If you’ve ever stubbed your toe on one (and I am always the barefoot beach gurl)
you’d know why this is SO upsetting.  Damn picks….


3. MADE YOU LOOK
Our studio is in an office/warehouse.
Yup those gridded ceiling tiles with drop-in lighting.

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Posted in art journal, creativity, drawing, ink painting, journal, painting, pen & ink, process, sketchbook, watercolor, writing | Tagged , , , , , , , , , , , , , , , | 5 Comments