Rona2: 100 Days of Protest, 1

My middle of the night sketching setup.

Each night I spend 1-2 hours watching raw and live videos of what is happening in Portland to the protesters.

Yes, TO the protesters.


Fake News and simply poor reporting is partially to blame for people thinking that BLM protesters in Portland have burned down buildings and killed/assaulted people.
ALL major news outlets persisted for months in calling Proud Boys and other
brown shirt (Nazi or Trump supporter groups) protesters.  They are not.

Protesters have agendas and demands, an end goal, though it may be difficult to achieve.  They let people know where they are gathering, openly invite anyone interested,
and pull permits to assemble.  They do not carry weapons (or if they do they are not brandishing them).  They do not threaten those around them — no locals who happen
to be passing by.  They do not bully, or intimidate other than their sheer size in numbers.
They have painted graffiti, and lit trashcans on fire; not punishable by violence.

IF one of them (of the thousands who are protesting) did anything violent it was not part of the plan, and they acted alone.  I say IF, as I am giving them that possibility.

Many independent news people took this image last night.

The news should have separated them (they were told repeatedly by locals)
from the agitators, because we’ve seen them before.
I first saw them in the last election braking windows of shops in the Pearl…
They come to Portland, usually from out of state or from hours away,
and they are here to cause trouble.
They are violent, carry weapons (bully everyone in their wake,
scream obscenities at passerbys who are not part of their troop
(and it is a small militia of sorts).  They are bigots, racists, etc.,
and they are Trump supporters, inspired to do his bidding.

Now, sadly, and it layers a whole new horror for me,
the Portland Police (and their new buddies in crime, the State Police and DHS)
definitely are violent nightly.  They enter a peaceful but noisy protest,
bully and prance around, then declare it a riot.
(If these “law enforcement” officials saw a real riot —
like Watts in the sixties — they might pee in their pants.)
I see no riot but what follows… they ask for them to do conflicting things
(on or off the sidewalk?) and when people ask for clarification they grab them
and throw them to the ground and arrest them.  The protestors are noisy (they scream their names and phone numbers to others around them) but docile as they don’t want to be beaten, but they are often beaten anyway — broken bones and bloody faces

Remember that this is not a Judge Dredd state;
The police are STILL not allowed BY LAW
to judge and dispense punishment.

No one can blame this one on Trump.
This is Oregon State and the City of Portland…

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Using Watercolour vs Sketching Journals

Covid changed my journal use yet again.
Between the pandemic, sequestration, and the Portland protests,
I began to write pages in my sketching journal… because that is what I carry with me,
and I felt like I was writing to save my sanity and life!
I had begun a Grey Hahnemühle Toned Watercolour Book and
just began using it up, above, instead of saving it for nicer watercolor attempts.
Notes and sketches about ordering delivered groceries, missing people
in our studio neighborhood, feeling alone, taping recipe items, and
of course, my silly cat sketches all went into the more “expensive” journal.

And I loved that!
I loved having it all in one journal!

My second Covid journal I grabbed the Hahnemühle Nostalgie Sketchbook.
Freedom to write and write and write… BUT, I missed being able to lay
in several layers of watercolor, or lift watercolors.

Now I am standing at a crossroads.
I’ve always been wary of “wasting” watercolor paper on writing…
And watercolor journals are usually $7-10 more than good sketching journals.

But, the best news ever changed my concern over $$$!

Merriartist is now carrying
my favorite Hahnemuhle journals at a substantially lower everyday pricepoint
than other stores! I have been paying close to $30, and
A5 landscape is just under $20 at Merriartist.  Amazeballs!
This makes them affordable enough to be my go-to journal!  Click here for all their watercolor journals! But I digress… because though the price savings makes them affordable, my burning question:

Can I consistently and freely write on watercolor pages?

I DON’T KNOW!  I’m working on it!

Do you have this problem?


I am  finicky about my sketching and watercolor journals.
Everyone has different uses that dictate the choices in journals.

I prefer hardbound so I can sketch anywhere without having to carry a hard surface,
and I want durable… I am hard on books.  Many good sketchbooks are softcover.
And it needs to open flat… pop-up books are annoying.


I like A4 or A5 landscape, so I can sketch and then often write a quote
or Buddhist passage at the edge; some otherwise good sketchbooks only do portrait.


Even a sketchbook I want paper that can take a watercolor wash
(thankfully Nostaglie does that!)  However, I must jump to the Watercolour journal
for multiple washes or scrubbing, or ink washes.
Ink/watercolor combo is shown above in an image of the Pitt Museum in Portland.
No bleed in even the heaviest ink washes!  (Inks bleed more than watercolors.)

P.S.

Marriartist is also carrying my favorite sketching journal at amazing everyday prices,
Hahnemühle Nostalgie Sketchbook, above, for light watercolors and sketching, and
Hahnemuhle Watercolor Postcard Tin (below) filled with Cold-Pressed
watercolor postcards ready to send.  I use my empty tins for watercolor palettes.

Remember to support small locally owned businesses whenever possible…
especially in this pandemic!
Merriartist makes it easy as their prices often beat the big box stores!

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Linda Fishing


I loved this image of my bestest friend from High School!


She goes fishing (catch and release) on a lake near her home —
Such a joyful image to sketch!
Now I have her image forever in my art journal!

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Rona2: VSW Street in France


From an image from Evalyn Baker of a street in Languedoc, France!
I took great liberties with color!
Never before have I appreciated Virtual Sketching as much as I do now;
late at night after tough days sketching saves me.

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The Sketchpack Project 2020, 22-31

Continuing with the Sketchpack Project on “Emotional Body:
If you’d like to see the first post go here; the second post go here.
the third post, here;  below, my completion.


Saturday when no one intrudes.

 Platinum Plaiser pen with DeAtramentis Document Urban Grey ink,
Troublemaker Sea Glass ink.


 Platinum Plaiser pen with DeAtramentis Document Urban Grey ink,
Robert Oster Cosmic Swirl ink, Robert Oster Australian Opal Grey ink.


Sometimes it is a song that gets stuck in my head…

Lamy Joy with De Atramentis Document Black ink,
Robert Oster Melon Tea ink, 3oysters Gogung ink.


Platinum Plaiser pen with DeAtramentis Document Urban Grey ink,
L’Artisan Pastellier Classique Jaune ink, 3oysters Gogung ink
.


It was weeks of boxing at ghosts.
I hate that.
I prefer to confront problems.

Lamy Joy with De Atramentis Document Black ink,
Platinum Plaiser pen with DeAtramentis Document Urban Grey ink, Pitt White pen,
Papier Plume House of the Rising Sun ink, 3oysters Gogung ink
.


 Lamy Joy with De Atramentis Document Black ink,
L’Artisan Pastellier Classique Jaune ink, Robert Oster Marrone Mustard ink.


Robert Oster Vine Leaf ink, Monteverde Moonstone ink.


 Platinum Plaiser pen with DeAtramentis Document Urban Grey ink,
Robert Oster Sydney Darling Harbour ink.


We all saw this coming.

 Lamy Joy with De Atramentis Document Black ink, KWZ Grapefruit ink.


 Lamy Joy with De Atramentis Document Black ink,
Robert Oster Australian Opal Grey ink.

The exercise of working with pure color first (usually)
and then moving to imagery if so moved,
and sometimes then not for days,
helped me to work through the issues.
No solutions, but then, when things happen
that are out of your control and
for which you had no hand,
there is usually no solution unless
other parties decide to weigh in.

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Rona2: VSW Cars, Languedoc, France


From an image from Annette Morris old rusting cars, France!
Mixing watercolors and soluble inks.

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Rona2: VSW Saint-Siffret, France


Sketched from a photo from artist Tom Brudzinski streets of Saint-Siffret, France!
No watercolor and inks!

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True Love, Sweets!

Cooking is important again… and has stayed that way for months!
We don’t buy baked goods and other deli items while shopping now…

GREAT cookie recipe from www.butterbaking.com!
I had only brown sugar, and now have a versatile recipe that is yummy;
I added walnuts or instant espresso to vary the taste.

Our memory journal now has pandemic entries on the cookies too.
Drawing is keeping me going.

I am sure, though, Mitchell is keeping me around for the fudge,
which I used to make only on holidays.
Walnuts have turned out to be his favorites, and I like them chopped into the fudge.
Anything to keep us happy during this quite miserable time in US history!

Bright Ideas multi-color journal, Hahnemühle Nostalgie Sketchbook,
De Atramentis Document Brown ink,
Lamy Joy with De Atramentis Document Black ink,
Platinum Carbon Pen with Platinum Carbon ink waterproof cartridges,
Holbein, MGraham, DS Primatek and Daniel Smith watercolors.

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Rona2: VSW Pigasse, France


From an image from Annette Morris of a Canal du Midi, Pigasse, France!
No watercolor, inks!

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Rona2: In the Groove with Rancho Gordo


You are not hearing me rave as much about Rancho Gordo beans because
I am kinda getting into a groove with them.  I cook more of them in the manner described on their site, and then mix it up with other items and the yummy beans.

This is a typical dinner now — I last made it with Marcella beans,
adding them to a quick “stir-fry” of cherry tomatoes, zucchini, and onions.
Incredibly yummy!

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The Sketchpack Project 2020, 12-21

Continuing with the Sketchpack Project on “Emotional Body:
If you’d like to see the first post go here; the second post go here.

In the second post I talked about overwhelm and upset,
and finally working through it.  These images reflect those issues.
I had no ideas, felt spent, so each day I only did inks until
I began to make pencil marks here and there.


Platinum Carbon Pen with Platinum Carbon ink waterproof cartridges,
Duke Fude and Platinum Plaiser pen with DeAtramentis Document Urban Grey ink,
Robert Oster Chartreuse ink, Robert Oster Melon Tea.


Platinum Carbon Pen with Platinum Carbon ink waterproof cartridges,
Robert Oster Orange Zest ink, Robert Oster’s Motor Oil ink.

Duke Fude with DeAtramentis Document Urban Grey ink,
Robert Oster Thunderstorm ink.


Such an amazing watery pacific ocean bay ink;
though made from an Australian so reflecting his oceans?
Anyway, it got me to cry laying in this ink, and that was good.
In many of these the inks came first.

Platinum Carbon Pen with Platinum Carbon ink waterproof cartridges,
Robert Oster Opal Green ink.


Yes, I muted a word….

Duke Fude with DeAtramentis Document Urban Grey ink,
Vinta Sea Kelp Leyte 1944 ink, 3oysters Gogung ink.


New Moon.

Duke Fude with DeAtramentis Document Urban Grey ink,
Waterman Tender Purple ink.


Who knew there was so much gold sheen in Taccia AKA red ink?

 Platinum Plaiser pen with DeAtramentis Document Urban Grey ink,
Taccia AKA red ink, Robert Oster’s Motor Oil ink.

The protesters are getting hit with tear gas!

Duke Fude with DeAtramentis Document Urban Grey ink,
Robert Oster Melon Tea ink, Birmingham Green Weenie ink.


Looking forward…

 Platinum Plaiser pen with DeAtramentis Document Urban Grey ink,
Robert Oster Dark Chocolate ink.

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Rona2: VSW Assignan France


From an image from Google streets of Assignan, France!
No watercolor, inks!  I love ink painting… I wish they were lightfast!

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Inky Thots: Robert Oster Aussie Liquid Gold

I love Robert Oster Shake & Shimmer Heart of Gold ink, (shown for comparison),
but the wow factor in Robert Oster Shake & Shimmer Aussie Liquid Gold ink,
a clear bright yellow-gold is amazeballs (a technical term)!

Above, you can see the different in the ink on watercolor paper, (top row, with and without flash so you can see the glitteries!), versus on smooth Hahnemühle paper,
comparing Aussie Liquid Gold ink and Heart of Gold ink, second row.

Remember that others review these inks just for writing;
I am also interested in how they are used for ink-painting!

Properties of Robert Oster Aussie Liquid Gold ink:

This ink is well-behaved,
and does not feather on
any of the papers I normally
use, including calendars
and Post-its.  I consider it a medium ink, neither wet
nor dry; it evaporates
quickly with a wet nib.
It has never smeared on me.

It has monster
white-gold glitter!

I found it hard to image but
there are several photos here.
When hit with water the base
color moves easily but
the gold tends have
some water resistance.

*Above, watercolors, from Daniel Smith and Sennelier.*

The base dye confounds me, as it looks to be warm in certain lighting and cool —
even a slight touch lemony green — in other lighting.
The paper towel test (above) shows a distinct green separation along the top.
I also see touches of Robert Oster’s Green Olive (above) in the washed color.

Looking at watercolor comparisons, above I offer Daniel Smith’s Indian Yellow, their Primatek colors Monte Amon Sienna, and Tiger Eye, as well as Sennelier’s Hansa Light and Lemon Yellow.  The pigments fall into in the following Munsell ranges: PY108, PY153, and PY3.

Another comparison between Aussie Liquid Gold ink and Heart of Gold ink.


RO is experimenting and testing lightfast properties…
MOST water soluble ink companies do not pay attention to these things
because most artists who use ink are making prints of their work.

His inks are non-toxic.  I have more Robert Oster inks
than any other brand. Why?  Because no other brand
has the spectacular mix of pigments within a color,
which gives even his simplest inks such beauty to with which to sketch and paint that it is a shame to waste them on writing!

His bottles are not the most beautiful, but I am happy
they are environmentally friendly bottles, created
from recycled chemical waste! This matters to me;
I started with fountain pens to stop the plastic pen trash.
I can get the fattest pen into them to refill on the go.
Yes, they are a bit tippy.  I don’t care.
His inks make up for all that.

Robert Oster does not use boxes.  As all my ink boxes
go into the trash, I am happy not to cut down a tree f
or a box around a bottle!

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Rona2: VSW Saint Chinian Windmill France


From an image from Annette Morris of a windmill in Saint Chinian!
Never before have I appreciated Virtual Sketching as much as I do now.

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or check out my new, improved dkatiepowellart.com

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Liza, a Commission


Liza is a commission for a friend to gift in remembrance of her furbaby!


I started several versions of her, and the difficulty was that she was
white, white, and grey… and white!
White is harder to define…

Finally the decision to delineate her in ink then top with watercolors saved the day!
I loved her beautiful blue eyes and determined demeanor…

The recipient was delighted!

Paintings make great gifts and support
your local artists….I take commissions!

 

©D. Katie Powell.
My images/blog posts may be reposted; please link back  to dkatiepowellart.

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Process Ink Painting, Blooms

Above, I simple use a Pentel Aquash waterbrush filled with water,
Hahnemühle Nostalgie Sketchbook to try inkpainting a peach.
I am trying to get the hang of not always ending up with “blooms” or dark edges.


I used a small waterbrush and did not squeeze — so no excess water was released —
and gently smoothed out the edge on the darker peach above.

SUCCESS!

My model, above, Sweet Sue peaches from Bairds orchards…
I don’t know what brings us more joy, peaches or berries.
Or hot Sugar Chilies.

In a Hahnemühle Toned Watercolour Book, I tried again, a full sketch.
Robert Oster Peach ink for the undertones, with  Robert Oster Royal Red ink as the second coats.  I regret mixing Monteverde Moonstone ink with the red only because I forgot it has a bit of moonstone ground into it and that built up along the edges!  Gads!

See all the dark lines at the edges?  That is what I want to soften!
(If I can’t I will go with the flow and understand this is aprt of ink painting… but must try!)

I took the tiniest waterbrush, again, and did not squeeze but gently wiped the edges until the disappeared — or enough to call it done.  The background was created using
Birmingham Pen Tarnished Nickel ink, which I don’t think is being made again yet!

I love Pentel Aquash waterbrushes, and buy them in the packs from Amazon.
They keep their points longer than others I’ve tried,
and the plastic screw mechanism doesn’t disintegrate quickly.
I use them for diluted ink washes, but LOVE that I don’t have to have an
open container of water in bed with me at night!

BTW, inks are harder to tame than watercolors!

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The Sketchpack Project 2020, 9-11

Continuing with the Sketchpack Project on “Emotional Body:
If you’d like to see the previous post go here.

Continuing, and I was thrown a bit this week….

My friends lift my heart, and many are overseas.  So many in Austrailia!

Platinum Carbon Pen with Platinum Carbon ink waterproof cartridges,
Blackstone Australian Bush (Scented) ink.

Summer storms… and not much summer in them this year.

Duke Fude and Platinum Plaiser pen with DeAtramentis Document Urban Grey ink, Robert Oster Green at Night ink.

Platinum Plaiser pen with DeAtramentis Document Urban Grey ink,
Robert Oster Sydney Lavender ink.


Then, suddenly, my creativity dried up for a few days, and I got behind.
I am very very kind to myself about this, especially when there are circumstances
beyond my control that take me out…. I turned to knitting, as I love the
feel of the wool between my fingers and the color lifts my heart.  WIP, above.

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Tools: Robert Oster Glorious Inks


There  is nothing like the gift of color!
All that possibility wrapped in glorious juicy inks from Robert Oster Signature inks!!
I will be playing with  these soon, but had to at least share my newest bounty!
A couple I’ve had and not had time to even lay down on paper…

Robert Oster Shake and Shimmer Envy Green ink…
Mitchell is the shimmer King and he is in love with this one!

These inks will be going into pens asap!  Robert Oster Australian Opal Blue ink,
Robert Oster Clay Red ink, Robert Oster NG Special ’16 ink,
and my very favorite (this week) Robert Oster Verde de Rio ink…
IO think my TWSBI is finally going to go from its Emerald ink to this Verde de Rio!

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