Tag Archives: commission

Painting on Demand

Posted on February 14, 2020 by dkatiepowellart

I find commission work, or painting on demand, very different than painting for myself. I spend most of my time creating for myself, exploring something that I find interesting, a medium or color or an idea. Commission work is usually … Continue reading →

Posted in art journal, commission, history, oil paint, painting, portrait | Tagged #DARstateflag, #gamblinartistcolors, #gamblinoilpaint, #mpfconservation, #paintingconservation, #replication #paintingonsilk, #washingtonstateflag, commission, flag, MPF Conservation, painting on silk, replication, State Flag, Washington history, Washington State DAR, Washington State Flag, watercolors | 7 Comments

Walnut Park, Portland, Oregon Commission

Posted on August 10, 2017 by dkatiepowellart

A commission to create a painting from photographs for an intern leaving for the next leg of her journey landed on my desk. I typically work on several images at the same time; it relieves the pressure in case one … Continue reading →

Posted in architecture, art, commission, making a living, painting, pen & ink, process, virtual sketching, watercolor | Tagged #bungalows, #Portlandoregon, #streetscene, architecture, commission, Daniel Smith watercolors, grisaille, Lexington Grey Noodlers ink, Noodlers ink, Platinum Carbon pen, Portland Oregon, Primatek, Sennelier, Super5 ink, watercolor | 15 Comments

Illustration and Commission

Posted on February 25, 2017 by dkatiepowellart

Today I am off to a workshop on illustrating children’s books. I’ve always been available for commission work but did not know there were groups where I could meet others. I will be meeting authors and agents and find out … Continue reading →

Posted in animation, art journal, commission, drawing, ink painting, making a living, painting, pen & ink, watercolor, writing | Tagged children's books, commission, illustration, illustrator, nature books, short stories, stories, story boards, storytelling, young adult books | 2 Comments

Restore Oregon Endangered Places 2016

Posted on November 12, 2016 by dkatiepowellart

The series for Restore Oregon Endangered Places 2016, is now on one page. Restore Oregon is a cause I can support. Drawing old buildings is always fun for me, as I began life as an architect. Restoration is my passion, … Continue reading →

Posted in architecture, commission, creativity, urban sketchers, virtual sketching, watercolor | Tagged architecture, commission, Daniel Smith watercolors, De Atramentis Document ink, Demuro Award, Lamy Al-Star, Lamy Joy, Oregon, Pentalic HB woodless pencil, Pilot Parallel pen, Platinum Carbon pen, Primatek, QoR watercolors, Restore Oregon, Sennelier, virtual sketchwalk, watercolor | 2 Comments

Restore Oregon: The Oregon Caves Historic District

Posted on October 28, 2016 by dkatiepowellart

The Oregon Caves Historic District covers six acres of the Oregon Caves National Monument and Preserve (OCNMP) in the Siskiyou National Forest, which is accessed through Cave Junction in southwestern Oregon. The historic district includes four primary buildings: the Chalet, … Continue reading →

Posted in architecture, art, commission, furniture | Tagged #inktober, architecture, brunaille, Cave Junction, Chateau, commission, Daniel Smith watercolors, De Atramentis Document ink, Fineline Masking, grisaille, grisaille underpainting, Holbein, Lamy Al-Star, Mason Monterey, MPF Conservation, Oregon, Oregon Caves NM, Pentalic HB woodless pencil, Pilot Parallel pen, Platinum Carbon pen, Primatek, QoR watercolors, Restore Oregon, Sennelier, Southern Oregon, virtual sketchwalk, watercolor | 12 Comments

Restore Oregon: Lindberg House

Posted on October 24, 2016 by dkatiepowellart

Peter (Pehr) John Lindberg house, located in the small coastal town of Port Orford, was built over a four-year period from 1892 to 1896. The home was designed and constructed in the Queen Anne style by Mr. Lindberg, who was … Continue reading →

Posted in architecture, art, commission, drawing, history, painting, pen & ink, virtual sketching, watercolor | Tagged #inktober, architecture, cedar, commission, Daniel Smith watercolors, De Atramentis Document ink, Fineline Masking, Holbein, Lamy Al-Star, Oregon, Pentalic HB woodless pencil, Peter (Pehr) John Lindberg, Pilot Parallel pen, Platinum Carbon pen, Port Orford, Primatek, QoR watercolors, Queen Anne Style, Restore Oregon, Sennelier, shingles, virtual sketchwalk, watercolor | 2 Comments

Restore Oregon: EOU Inlow Hall’s Grand Staircase, La Grande, Oregon

Posted on October 17, 2016 by dkatiepowellart

Eastern Oregon University’s Inlow Hall’s original grand staircase has fallen into disrepair, below, and Restore Oregon is assisting with the restoration efforts of this once beautiful and important grand staircase. It was used in many ways for formal and informal … Continue reading →

Posted in architecture, art, challenge, commission, drawing, history, landscape, painting, pen & ink, virtual sketching, watercolor | Tagged #inktober, architecture, brunaille, commission, Daniel Smith watercolors, De Atramentis Document ink, Eastern Oregon University, Fineline Masking, Grand Staircase, grisaille, grisaille underpainting, Holbein, Inlow Hall, La Grande, Lamy Al-Star, Oregon, Pentalic HB woodless pencil, Pilot Parallel pen, Platinum Carbon pen, Primatek, QoR watercolors, Restore Oregon, Sennelier, verdaille, virtual sketchwalk, watercolor | 12 Comments

Jantzen Beach Carousel 6, Roman

Posted on October 13, 2016 by dkatiepowellart

One of my favorites, the Roman Horse! Jantzen Beach Carousel is a series, and this is the sixth and last of this set. (Below are links to others previously posted.) The many layers, above. 1) I began with a sketch … Continue reading →

Posted in animals, architecture, art, commission, history, memory, painting, pen & ink, process, virtual sketching, watercolor | Tagged #inktober, amusement park, architecture, armored horse, armoured horse, commission, Daniel Smith watercolors, De Atramentis Document ink, Fineline Masking, grisaille, grisaille underpainting, Holbein, horses, Jantzen Beach Carousel, Lamy Al-Star, M.Graham, Mason Monterey, Oregon, Pentalic HB woodless pencil, Pilot Parallel pen, Platinum Carbon pen, Portland, Primatek, QoR watercolors, roman horse, Sennelier, virtual sketchwalk, watercolor | 7 Comments

Jantzen Beach Carousel 5, Eagle

Posted on October 11, 2016 by dkatiepowellart

The all-American Eagle Horse! Jantzen Beach Carousel is a series, and this is the fifth in the set. (Below are links to others previously posted.) De Atramentis Document brown (brunaille) and Noodler’s Lexington grey (grisaille) worked the undertones. A video … Continue reading →

Posted in animals, architecture, art, commission, history, memory, painting, pen & ink, process, virtual sketching, watercolor | Tagged #inktober, Americana, amusement park, architecture, bald eagle, commission, Daniel Smith watercolors, De Atramentis Document ink, eagle, Fineline Masking, grisaille, grisaille underpainting, Holbein, horses, Jantzen Beach Carousel, Lamy Al-Star, M.Graham, Mason Monterey, Oregon, Pentalic HB woodless pencil, Pilot Parallel pen, Platinum Carbon pen, Portland, Primatek, Sennelier, virtual sketchwalk, watercolor | 11 Comments

Jantzen Beach Carousel 4, Pinto Fishing

Posted on October 7, 2016 by dkatiepowellart

I had to work a Pinto into the series! Jantzen Beach Carousel is a series, and this is the fourth in the set. (Below are links to others previously posted.) The many layers, above and below. I think the fish, … Continue reading →

Posted in animals, art, commission, history, memory, painting, pen & ink, process, virtual sketching, watercolor | Tagged #inktober, amusement park, architecture, commission, Daniel Smith watercolors, De Atramentis Document ink, Fineline Masking, fishing horse, grisaille, grisaille underpainting, Holbein, horses, Jantzen Beach Carousel, Lamy Al-Star, M.Graham, Oregon, Pentalic HB woodless pencil, Pilot Parallel pen, pinto, Platinum Carbon pen, Portland, Primatek, QoR watercolors, Sennelier, trout, virtual sketchwalk, water serpent, watercolor, White Uniball Signo pen | 25 Comments

Jantzen Beach Carousel 3, Floral

Posted on October 3, 2016 by dkatiepowellart

One of my favorites, the Floral Horse! Jantzen Beach Carousel is a series, and this is the third in the set. (Below are links to others previously posted.) The many layers, above. Grisaille (pronunciation, taken from the French word for … Continue reading →

Posted in animals, architecture, art journal, commission, history, painting, pen & ink, process, virtual sketching, watercolor | Tagged #inktober, amusement park, architecture, commission, Daniel Smith watercolors, De Atramentis Document ink, Fineline Masking, floral horse, grisaille, grisaille underpainting, Holbein, horses, Jantzen Beach Carousel, Lamy Al-Star, M.Graham, Mason Monterey, Oregon, Pentalic HB woodless pencil, Pilot Parallel pen, Platinum Carbon pen, Portland, Primatek, QoR watercolors, Sennelier, virtual sketchwalk, watercolor, White Uniball Signo pen | 13 Comments

Janzten Beach Carousel 2, Grapes

Posted on September 27, 2016 by dkatiepowellart

Jantzen Beach Carousel is a series, and this is the second in the set. (Click here to see the first, the Chinese Water Serpent Horse.) I named this Horse with Grapes! Why am I naming them differently than CW Parker … Continue reading →

Posted in animals, architecture, art, commission, painting, pen & ink, process, virtual sketching, watercolor | Tagged amusement park, architecture, commission, cornacopia, Daniel Smith watercolors, De Atramentis Document ink, Fineline Masking, grapes, grisaille, grisaille underpainting, Holbein, horses, Jantzen Beach Carousel, Lamy Al-Star, M.Graham, Oregon, Pentalic HB woodless pencil, Pilot Parallel pen, Platinum Carbon pen, Portland, Primatek, QoR watercolors, Sennelier, virtual sketchwalk, watercolor, White Uniball Signo pen | 3 Comments

Janzten Beach Carousel 1, Chinese Water Serpent

Posted on September 20, 2016 by dkatiepowellart

I am a lover of carousels; this set was a pleasure to paint! Jantzen Beach Carousel has so many gorgeous carousel horses! I wanted to set up a series whereby someone could buy the set or just one, and they … Continue reading →

Posted in animals, architecture, creativity, drawing, memory, painting, pen & ink, pencil, virtual sketching, watercolor | Tagged amusement park, architecture, commission, Daniel Smith watercolors, De Atramentis Document ink, Fineline Masking, grisaille, grisaille underpainting, Holbein, horses, Jantzen Beach Carousel, Lamy Al-Star, M.Graham, Oregon, Pentalic HB woodless pencil, Pilot Parallel pen, Platinum Carbon pen, Portland, Primatek, QoR watercolors, Sennelier, virtual sketchwalk, watercolor, White Uniball Signo pen | 9 Comments

Working on Commission: How to Connect with a Subject

Posted on September 13, 2016 by dkatiepowellart

I am almost completed with my commitment to painting many of Oregon’s Most Endangered Places for Restore Oregon. They will auction the images at the Restoration Celebration dinner to raise monies to further the cause of restoration and saving pieces … Continue reading →

Posted in architecture, art, art journal, creativity, history, memory, painting, process | Tagged commission, connection, inspiration, process, Restore Oregon | 5 Comments

Rivoli Theater

Posted on September 5, 2016 by dkatiepowellart

Rivoli Theater at 1355 S Main Street, Pendleton, Oregon was built in 1900. It is a significant part of the original streetscape of the old downtown. In its heyday, the Theater served as a social and economic center of community … Continue reading →

Posted in architecture, commission, watercolor | Tagged architecture, commission, Daniel Smith watercolors, Fineline Masking, Holbein, Oregon, Pendleton, Portland, Primatek, QoR watercolors, Rivoli Theater, Sennelier, virtual sketchwalk, watercolor | 26 Comments

Uppertown Net Loft, Astoria, Oregon

Posted on September 2, 2016 by dkatiepowellart

The barn red on the lovely blue Columbia River was my initial attraction. I did a few fast sketches, and this one I like so will donate…. An image of the building from the hilltops is here. Uppertown Net … Continue reading →

Posted in architecture, art, creativity, drawing, history, landscape, painting, pen & ink, process, virtual sketching, watercolor | Tagged architecture, Astoria, Columbia River, commission, Daniel Smith watercolors, De Atramentis Document ink, De Atramentis Tobacco ink, Fineline Masking, Holbein, M.Graham, Oregon, Pentalic HB woodless pencil, Platinum Carbon pen, Primatek, QoR watercolors, Sennelier, Uppertown Net Loft, virtual sketchwalk, watercolor, White Uniball Signo pen | 20 Comments

Wong Laundry Building, Portland, Oregon

Posted on August 26, 2016 by dkatiepowellart

Wong’s Chinese Laundry resided in the Wong Laundry Building on NW 3d St, an area currently under constant demolition for high rises, many of poor design quality. It was designed by Alexander Ewart in 1908, and has had many businesses in … Continue reading →

Posted in architecture, art, creativity, history, landscape, painting, pen & ink, urban sketchers, virtual sketching, watercolor | Tagged architecture, Chinatown, commission, Daniel Smith watercolors, De Atramentis Document ink, Fineline Masking, grisaille, grisaille underpainting, Holbein, Japantown, Lamy Al-Star, M.Graham, NW Portland, Oregon, Pearl District Portland, Pentalic HB woodless pencil, Platinum Carbon pen, Primatek, QoR watercolors, Sennelier, virtual sketchwalk, watercolor, White Uniball Signo pen, Wong Laundry Building, Wong's Chinese Laundry | 39 Comments

Working Toward a Goal

Posted on August 22, 2016 by dkatiepowellart

I’ve rarely worked toward a goal/deadline in my painting life. (I do it all the time in my working life, above.) That is, there is a desired result at the end for a “client,” here, as. I am creating a … Continue reading →