Continuing with the Sketchpack Project on “Emotional Body:
If you’d like to see the first post go here; the second post go here.
the third post, here; below, my completion.
Saturday when no one intrudes.
Platinum Plaiser pen with DeAtramentis Document Urban Grey ink,
Troublemaker Sea Glass ink.

Platinum Plaiser pen with DeAtramentis Document Urban Grey ink,
Robert Oster Cosmic Swirl ink, Robert Oster Australian Opal Grey ink.
Sometimes it is a song that gets stuck in my head…
Lamy Joy with De Atramentis Document Black ink,
Robert Oster Melon Tea ink, 3oysters Gogung ink.

Platinum Plaiser pen with DeAtramentis Document Urban Grey ink,
L’Artisan Pastellier Classique Jaune ink, 3oysters Gogung ink.
It was weeks of boxing at ghosts.
I hate that.
I prefer to confront problems.
Lamy Joy with De Atramentis Document Black ink,
Platinum Plaiser pen with DeAtramentis Document Urban Grey ink, Pitt White pen,
Papier Plume House of the Rising Sun ink, 3oysters Gogung ink.

Lamy Joy with De Atramentis Document Black ink,
L’Artisan Pastellier Classique Jaune ink, Robert Oster Marrone Mustard ink.

Robert Oster Vine Leaf ink, Monteverde Moonstone ink.

Platinum Plaiser pen with DeAtramentis Document Urban Grey ink,
Robert Oster Sydney Darling Harbour ink.
Lamy Joy with De Atramentis Document Black ink, KWZ Grapefruit ink.

Lamy Joy with De Atramentis Document Black ink,
Robert Oster Australian Opal Grey ink.
The exercise of working with pure color first (usually)
and then moving to imagery if so moved,
and sometimes then not for days,
helped me to work through the issues.
No solutions, but then, when things happen
that are out of your control and
for which you had no hand,
there is usually no solution unless
other parties decide to weigh in.
To hear about classes, follow me on Instagram, Facebook
or check out my new, improved dkatiepowellart.com
“Memory is more indelible than ink.”
Anita Loos, Gentlemen Prefer Blondes.
“I think not….”
Me… why I journal!
Hahnemühle ZigZag Accordian Journal (watercolor ready),
Fineline Masking Fluid, Pentel Aquash waterbrushes,
Duke Fude (Bent) Nib with DeAtramentis Document Urban Grey ink,
Platinum Plaiser pen with DeAtramentis Document Urban Grey ink,
Platinum Carbon Pen with Platinum Carbon ink waterproof cartridges,
Lamy Joy with De Atramentis Document Black ink…
Colored inks: Robert Oster Green Olive ink, Robert Oster Muddy Dragon ink,
Birmingham Albert Einstein Relative Cadmium ink,
Dennis Rodman Gunpowder Tea ink, Krishna Pencil ink, Robert Oster Muddy Water ink, Birmingham Cranberry Nobel ink, Blackstone Wild Orange (Scented) ink,
Blackstone Australian Bush (Scented) ink, Robert Oster Green at Night ink, Robert Oster Sydney Lavender ink, Robert Oster Chartreuse ink, Robert Oster Melon Tea ink,
Robert Oster Orange Zest ink, Robert Oster’s Motor Oil ink,
Robert Oster Thunderstorm ink, Robert Oster Opal Green ink,
Vinta Sea Kelp Leyte 1944 ink, 3oysters Gogung ink, Waterman Tender Purple ink,
Taccia AKA red ink, Robert Oster’s Motor Oil ink, Birmingham Green Weenie ink,
Robert Oster Dark Chocolate ink, Troublemaker Sea Glass ink,
Robert Oster Cosmic Swirl ink, Robert Oster Australian Opal Grey ink,
L’Artisan Pastellier Classique Jaune ink, Robert Oster Marrone Mustard ink,
Papier Plume House of the Rising Sun ink, Robert Oster Vine Leaf ink,
Monteverde Moonstone ink, Robert Oster Sydney Darling Harbour ink,
KWZ Grapefruit ink, Robert Oster Australian Opal Grey ink.





©D. Katie Powell.
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I teach architectural sketching,
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