Hahnemühle Post Cards, VLOG, Gardenia

Braving another go at a video,
my other first try!
Lighting is better…
About ink painting, shown on a Hahnemühle Post Card.

Tips: I pin my postcards on a stiff board (I use the mailing envelopes from Redbubble).  I can store extra cards inside for middle-of-the-night painting or on-the-go travel!

All tools and materials should be listed below!

Note: two different blue inks… and I can’t remember
the first, a sample I never reordered.

Showing both the first and
the reproduction created for the video.

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Hahnemühle Post Cards, Mr Gibbs

 I tried to do Gibbs justice.
He may be a Russian blue — In this pic he was regal.
Middle-of-the-night thinking of Gibbs and Mary.

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Hahnemühle Post Cards, First Vlog, Mustard

Okay I’ve hung on to this long enough and need to get over it all.
I will share my first test teaching vlog with my fellow artist peeps.
It is about ink+ watercolor painting, shown on a Hahnemühle Post Card,
my middle-of-the-night go-to!  My foray into teaching begins!

*AAAACK squeaky high voice why can’t I have a low throaty sexy voice?
Lighting lighting get your lighting right!!!
Be quiet critic!
Glad I got all that out because I don’t want to apologize every time…*

Be kind, peeps.

Showing both the first and
the reproduction created for the video.

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Table Legs

I had the opportunity to repair the finish on these lovely legs from a family table,
and now I paint them.  They were stacked in my finish studio for a long time
in this manner and reminded me of ancient ruins.

You might have noticed I stopped #inktober2017…
I love this particular challenge, and will do it again… it is a wonderful drawing tune-up and to do it with so many others and see the stream of images in Instagram and FB is fun.
BUT,
A challenge is only as good as it is for you at the time.
I am swamped with work — swamped — and have a creative inspiration that is taking me in a different direction, and so, I ended Inktober.

You won’t see my inspiration until it is ready, and in the  meantime
I will post from time to time as I get the chance to sketch….

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Posted in art journal, furniture, journal, making a living, painting, shellac, virtual sketching, watercolor | Tagged , , , , , , , , , , , | 12 Comments

Inktober, 21 Galley Sunflower

We had Sunflowers whose stems were not standing up tall.
I popped them into smaller vases and spread their cheer throughout the studio.

One place was in front of the many-colored Fiesta-ware plates in our studio galley.

Middle-of-the-night.

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Inktober, 20 Diwali, Festival of Lights

Happy Diwali, of course done the eve of not today!

Auspiciously, I filled the last available page in my journal on Diwali Eve
with this prayer for Diwali; I opened my next journal the next morning.
We light the candles, make offerings, thank the deities for the light!

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Inktober, 19 Workers

Diamine Ancient Copper ink sketch out the studio window…
They seem to be always working and never getting anything done…
For years!

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Inktober, 18 Berkey & Gay Chair

This is a detail from a Berkey & Gay chair, once part of the historic Hahn House.
My challenge was to paint the chair detail in ink only — for Inktober —
and I did, using two of my favorites, Diamine Ancient Copper and De Atramentis Tobacco.
The background is painted in DS Primateks (watercolor).

I’m not completely happy with it but painting with ink is hard!

Sadly, a couple bought the home which others had painstakingly restored, where the Pittock’s dined, deals pertinent to Portland’s future were made, and gutted it,
turning it into IKEA.   They removed or painted the wood, removed the fixtures,
removed stairwells.  MANY in Portland cried.
It is now the Hahn House from the outside only.
I will never understand it — why not just buy property and build?

They moved the newly conserved historic set into the damp autumn garage,
undermining quite a lot of the painstaking treatment.  Shellac needs to cure.
I had to fight with the Oregon Historical Society to take the historic furniture.
I told them how to store it so the shellac cured properly.
I asked them to contact me so we, the conservators, could deliver the
information to the society.  They never did…  I have no idea how it was stored,
if they followed out instructions, etc.  Again, crying….

The furniture was manufactured by Berkey & Gay in Grand Rapids, Michigan,
in the style of the Aesthetics movements and High Renaissance Revival at the
turn of the century.  For the post on moving day up the steep hillside
with a cabinet as heavy as a small elephant, click here.
To see the furniture before and after, go here.

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Inktober, Cherished Blogfest 2017

I’ve been remiss about the Cherished Blogfest this year but it must have been in the air because I have company!  It has been extended, and so, here is my entry…
AND YOU HAVE TIME TO WRITE ABOUT YOUR FAVORITE OBJECTS TOO!
For info, go here, pick an object, write, link-up!  Make friends!  Lift yourself up!

The first time I heard a lojong teaching, I took a few notes, scribbled in my journal alongside some architectural building schematic.  I was under twenty-five.

In my late twenties I bought “Training the Mind” by Chogyam Trungpa
at the Bodhi Tree (RIP best bookstore ever).
His book literally fell on my head, and I buy all books that fall on my head.
I skimmed it but did not resonate with it, and found some wording to be so
CATHOLIC (I was a recovering Catholic at the time),
so I tucked it into a stack that would become several shelves.

Then I read Ani Pema Chodron’s Book “Start Where You Are” in 1994, twenty years later, and as are all her books, it was excellent.  She referred to this little blue book,
the “real thing” by her teacher, Trungpa.  It took you through the slogans in depth.
I tried to find it in bookstores, but by now I was living in a provincial
little town with a small New Age bookstore.  No luck.

Of course, you know it was the book I’d barely cracked!

As I have always done when learning anything, I kept a journal.
I can’t really learn any other way.  Copying the slogans and teaching comments, adding my thoughts, and committing them into my journal puts them into body, heart and mind.
I used one of my red Okina journals and began, in 1994, writing notes from the two books, Trungpa’s and Pema Chodron’s, a very good book for beginning steps.
I sat in silence at the Blue Mountain coffee shop every morning and read and contemplated and wrote about each slogan, sometimes spending days on
commentary by Trungpa, and turning the coffee shop into a sacred place!

I’ve worked through the blue book a half-dozen times like this,
adding post-its and adding a sketching Okina,
and adding a couple of other commentaries.
I can read my early thoughts about the slogans as well as maturing thoughts.
Now it is a thoroughly messy and cherished journal!
If I had to grab just one book now it would be the two books together as one.
If not two, then my red journal, my notes on the lojong.

Of course, the slogans are only part of this.
It is a breathing practice.

I see dharma (literally, “truth”) — in my case these teachings — as a lifeline to sanity,
a path to mental health.   Studying the teachings is a path to lightheartedness, to basic happiness or joy, and a salve in these awful times in which we live.

Pema Chodron spoke once about the moment when you realize the teachings are about yourself in the world; that connection, once made, I think, is hard to turn from.  Teachings, whatever kind are a lifeline for you, illuminates a path to
know yourself intimately, to stop running away in addictive behavior
which ultimately causes you and yours more pain (drink, drugs, shopping,
surfing Instagram endlessly to avoid — my newest),
and to put your foot on a path which brings more joy even in trying circumstances.

For my most recent study, which was stopped for reasons I can’t discuss, here.

For information on the breathing practice, look here — and get a teacher, ultimately!

Cherished Blogfest 2017 October NOW!
Want to join?  Tell us about a cherished object
and no, you don’t have to paint…
Then sign the Linky List so we can come visit you!
#CBF17 is our hashtag.

©D. Katie Powell.  My images/blog posts may be reposted; please link back  to dkatiepowellart.

Posted in art journal, Buddha, challenge, journal, tonglen, writing | Tagged , , , , , , , , , , , , , | 16 Comments

Inktober, 16 Four Sunflowers

Sunflowers make me sooo happy.
They follow the sun, turning their faces upward and twisting to watch it.
They are strong, never needing man-made support, a testimony to evolution.
Their colors are brilliant and clear.
Strength, clarity, ever hopeful, focusing on the heavens, planted in the ground.

Last of the year, these went into three cobalt blue vases.
I keep meaning to paint them but I am so low on time.
Someday…

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YouTangle, Inktober Review!

I have one regret… I didn’t find these before Inktober!

I know why… I’m not an official zen-tangle person so I would not be looking.
But I doodle, and these are great for that!

These are perfect for Inktober — 9 x 9 cm/3.5 x 3.5 inch
(310 gsm) cards made for ink, small enough that you can easily do a drawing a day!
Except, 25 cards to a tin… dang, have to buy TWO.
*i would so hate to have to find a use for two tins… sarcasm, see bottom*

They are lovely for use with fountain pens, shown here in a sketch yesterday at PSU.
The smooth bright white paper shows off pen and ink!
Day 15 Inktober sketches — actually, all of these!

I tried watercolor over a second sketch of carrots…
The traditional watercolor didn’t love the paper, and what might be bright paints
ended up a bit washed out because the paper absorbed the paint.
*nix wet watercolor…. oh well, I didn’t think that would work!*

Then I tried liquid watercolors and inks in a waterbrush.
This worked better — maybe the even delivery of saturated color?
This is one way I might color them if I am doing middle-of-the-night drawings.

Markers, in this case Pitt pens and Tombow, worked wonderfully on the paper.
With rounded edges, acid free and age resistant paper, it has no printing on the back so both sides can be used for mark-making.  And, the surfaces appear identical front to back.

*i can imagine using the tiles to make love-notes for mitchell,
stashing them in a book he is reading or on his keyboard or in his guitar strings… 
hearts and a salutation on one side, image on the other!*

Lastly, I tried a children’s crayon product on the paper…
IF the dang thing had a point I would have liked how this one turned out.

I clip them at the edges so they stay flat when I am
using wet materials — then they dry flat!.

*oooooh, then there is the tin… i popped 15 full pans in the tin…
did i say i loved to make home-made tin palettes?*

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Posted in cards, creativity, drawing, ink painting, pastel, pen & ink, pencil, review, writing | Tagged , , , , , , , , , | 8 Comments

Inktober, 13 DeNoble Farms

Dancing light started this watercolor on
top of the inked drawing on this page of sketches.
I had to add lavender for her.

This little stack of pennies on the edge of a stoop I could not get out of my mind.
What happened to them?  Who put them there?
(Answer at the bottom…)

De Noble Farms has the carrots and the snow peas and artichokes
and green beans and bell peppers, which I never buy, and the yummo
romanesco broccoli — a cross between cauliflower and broccoli in flavor —
great for curries.  Certified organic…

This is a first… Did not use one Daniel Smith watercolor!

I have some new Holbein watercolors, Da Vinci’s (I want more of them) and
Matteo Grilli’s which accounts for the slight graininess of the earthy colors.

Answer: I put them there on the way in…
I wanted to see how long they would last.
They were still there when we came back.
No one wants a stack of pennies.

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Inktober, Dancing Light Lavender

She makes a great lip balm and essential oil.
Passing her is always happy because her stall smells amazing and she is happy.

I had to color her.  It was essential!

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Inktober, 12 Tie-Dye Drummer

This metal drum makes great sounds!
He is always in some colorful tie-dye and has a look of a pirate!

Maybe I need to come back and color these…

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Inktober, 11 Student Cellist

People are not my forte, but I keep doing them.
Years of doing the graphic people in architectural drawings!
I’ve taken to sketching buskers in the park.
This is a student out to make a buck on the weekend.

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Inktober, 10 Sunflower

I thought to add watercolor but may not… I like the linework!

(Though the contrast of bright yellow and cobalt blue is enticing….).

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Inktober, 9 Red Hawthorn

I never noticed Hawthorns until we moved to Portland,
though my Mom insists we grew up with them all around.
Maybe the ocean was too dazzling for me to notice them.
They are everywhere, and gorgeous!  Now I look for them!

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Tools: Watercolors, 9, Mayan

“Mayan” watercolors began appearing as a fad name a few years ago.  Loving Primateks, I wanted to try them…
Cut to the chase, I was disappointed.

Originally Mayan blue was developed by the Maya people, who ruled Mesoamerica from 290 to 900 C.E.  Blue was the color of the Mayan Sky Gods, and so it was used for ritual objects and murals, a bold, beautiful and durable pigment.  It is a remarkably stable pigment created from indigo  embedded in a special clay mineral called palygorskite.

The blue is perhaps the most striking color used by Maya artists, a color so extraordinary that it generated much research and debate among scientists for more than 50 years. Despite long exposure to light and high humidity for centuries, it hardly fades. It defies exposure to alkalies, acids and chemical solvents.

Scientists speculate the Mayans developed a preparative technique that was not limited
to Maya blue and preceded the future modern syntheses of organic–inorganic hybrid materials.  They surmise the hue depends on how long the Maya heated their formulation, allowing the pigment to variations of the addition compound formed by the indigo compounds and the mineral. The researchers further conjecture that the Maya were also able to produce yellow and green pigments from indigo-based pigments.  The yellows were based on both ochre and also a yellow derived from the indigo plant during preparation.  The red is an iron oxide.  All were mixed with palygorskite.

Today’s “Mayan” pigments, depending upon the manufacturer, are a mixture of both inorganic (paylgorskite clay) and organic (blue dye) elements — however, no known organic pigments today can come close to the stability of the original Mayan Blue.

So why the disappointment with regards to the “Mayan” paints?

To use them to their fullest capacity it is best to use them out of the tube as a thick mixture… almost like an acrylic.  With acrylic paints, you have to learn to use them in ways that creates washes by using additives — otherwise, they are a thick matte or glossy paint out of the tub.  Watercolors, on the other hand, are rarely used in a thick manner, such as shown in the first image left, in the lips (Mayan Red) and the necklace (Mayan Orange.)

“Mayan” watercolors are very hard to move, unlike the primateks.  They don’t suspend in a wash and drop in a lovely manner on the paper even if you don’t try to manipulate them (see the sky, Lapis Primatek, and the earth, Minnesota Pipestone Primatek, above.)  With no tricks, the two Primateks fail into a pleasing pattern on the rippling wet paper.  The “Mayan” paints, on the other hands, take a lot of manipulation if you don’t use them thick out of the tube… note the streaky Mayan Violet mountains, and her Mayan Orange pants.

IF I wanted the thick colors, I would go back to acrylics.

Finally, it is a bit of a gimmick.  Many opaque paints react in much the same way.
French Ochre, Iron Oxide, Vermilion, WN Caput Mortem — all are very claylike watercolors.  The difference is, while I may prefer transparent watercolors for their brilliance, I can manipulate these paints easier than the “Mayan” paints.

Perhaps those of you who enjoy opaque watercolors will enjoy them —
I will pass.  Mine are up for sale!  Interested parties email me!

Daniel Smith made the Mayan Violet (very pinkish), Orange, Yellow, and Blue.
Greenleaf & Blueberry made the bluer Mayan Violet and Mayan Red.

Ancient Maya Dyes is an interesting blog post about the Mayan dyes.  From their post, I’ve found pictures in Wikipedia (I like seeing the actual plants and minerals) below.  It is a great post!

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Greenleaf & Blueberry, DS Primatek watercolors, and Daniel Smith Watercolors.

w16-watercolor-sq w16-8-10-pentalic-middle-night-03-sq w15-inks-sq w16-9-24-pens-color-3-sq w15-ds-paints-sq

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