VSW: Amsterdam 4


Can’t get enough of these windmills….
And ink painting!  Really having fun with it!

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USK: Dentist


I hate dentists
*sorry if you are one, not personal*
He is not frightened of them; I am phobic.
*i think that makes me smarter than the average bear*

I went with Mitchell to an emergency dental appointment
because we both have to switch dentists AGAIN.
*love the ever-changing insurance games*
He was making scary faces while we waited for Dr. Lao;
as we are both rereading Calvin and Hobbes, I thought of Calvin’s face freezing.

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SoCS: Way back…

I  journal and do morning stream of consciousness exercises, and
I’m again participating in Linda Hill’s Stream of Consciousness Saturday. 
I write to a timer, 15-20 minutes, no editing except spelling, and of course I add my art!
You can do it too!
The Friday prompt for Stream of Consciousness Saturday is “weigh/way/whey.” Use one, use ’em all, bonus points if you do that last thing. Enjoy!”

I watched “Feminists: What were they thinking?” last night on Netflix.  It took me way back to my days in college and as a young architect.  I was a feminist, raised by a feminist, though I was too busy trying to keep my head above water to join in any cause.

I think the worst were the men who wanted to be cool so they acted like they were on board, but they were not. Michael H., a perfect example. Never acknowledged me as a businessperson. He got his job and intro to teaching in the University system (UCLA) through me bringing him into the department. And he fucked me over. Used me to get ahead then dropped me as if not good enough.  I was good enough for him to accept my introductions, good enough for him to accept my hand-ups to projects, just not good enough to be seen as an equal.  He was no friend, and I was stupid. Friends have your back. He was a good old boy prick with a PC “feminist is okay” exterior, a consummate game player.  Just like his philanderer father, Mick, he wanted to play in the sexual energy
but not have to deal with the fallout from women who would not react like Mom. She would bash her own head in; I wanted to bash his head in.
Different times, different kinds of women.

Rocky was a better, asked what was I doing when I was working during the recession. I was happy to talk to my best buddies, and Rocky at least gave me credit. But really, architects, ALL OF THEM, were good old boys.

Remembering USC professors who did not take me seriously, and the few who did (Ed Niles, Pierre Koenig, Stephanos Polyzoides). The fucking men who would say things to me they would never say to a man. If a man’s drawings were incomplete after days of no sleep, they discussed what the man had on the boards. But with me, especially with me because I was pretty, they asked me if I was busy doing my nails or getting my hair done. I was left speechless, jaw dropping speechless.  I had not been treated like a second class citizen often in my family. Nevermind that I had done everything to not look pretty, hair in a tight bun, wearing men’s jeans and earth shoes, with nothing but a little mascara. I was just a girl going after her MRS degree, and they were hitting on me but not giving me good grades because I didn’t sleep with them.

I am stopping.  My image ended so I will too.
You can bet I will be weighing in again, because we are being taken back to
the 50’s and 60’s by the current push to keep women down.

For the rules, go to Linda’s blog;  feel free to join the fun!

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Shift In Goals: A Post from My Patreon Page

Goals are shifting for me, and instead of rewriting what I posted succinctly to my Patreons, I am sharing it with you, my blog followers.  I am a Patreon to several artists, and have my own Patreons, a modern way of supporting artist.

“An Overdue Update…

 
For two years things have been quiet on [my Patreon] page.  Family issues, namely my baby brother and then my mother dying and all that comes with that, got in the way of so much.  I am okay with that; family comes first.  I let go of a lot to juggle my daily work, but did keep sketching/painting.  I apologize for the absence.

During sleepless nights, I had time to think.  I shifted my focus a bit.  Originally I wanted to teach online — I miss teaching tremendously.  When I was a kid I wanted to be a school teacher and my Aunt Elsa, who was a woman who taught high school, became principle, and ended up traveling to study educational systems worldwide before settling down at USC to start their Gerontology department, gave me great advice.  She said, “Go to college for what you love and then teach THAT!”  I taught architecture and design in Los Angeles at UCLA and in the California State college system, and taught writing and creativity in Oregon and California.

I am still open to teaching again, crave it, really, but I am going to let it unfold, to not push the river to do online courses.  I don’t know that online teaching will be as rewarding for me as doing classes in person.  I will wait to see what happens as I continue following my passion.

So where am I heading now?  What has changed?”  Continue reading here.

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VSW: Amsterdam 3


Showing process again for my peeps on Virtual Sketchwalk.

If you look at the details you will see a crude sketch, above….


I started again with a horizon line… then before I got too far in my sketch I pulled ink down for the water, and up for the sky (wet area the distance of the pull.)
I wish I’d done this when I had just my horizon line in place, but it still worked.
The image was a foggy grey day across a body of water.


Over the dried ink wash I moved across the horizon line, adding lines for the various windmills and trees and such.  I used two colors, the Robert Oster Midnight Sapphire, and then to warm the banks and wooden structures, Robert Oster Aussie Brown ink.
It is risky laying in two lines of colored inks — I suggest trying it on a test area
so you can see how dark it is getting and how saturated.
A little ink goes LONG way.

Then I used my fine tipped Pentel Aquash waterbrushes to move the inks
carefully and selectively in the sketched areas.

Again, messes can sometimes be cleaned up by coming back
with linework over the dried ink wash.

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VSW: Amsterdam 2


Scribbled this lightly in a fine point… really, just noodling around!
Then I began to like it and so came in with a bolder pen and cleaned it up a bit.
Painted with Robert Oster Australian Sky Blue, Robert Oster Emerald,
Robert Oster Green at Night, Robert Oster Midnight Sapphire,
and Robert Oster Aussie Brown inks.

Thanks to my friend Anya Toomre for the image!

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VSW: Amsterdam 1

This is a short how-to on a fast sketching technique with soluble inks…
Done in haste this morning for my peeps on Virtual Sketchwalk.

Finding a way into a complicated sketch is easier than we make it out to be,
and yes, I may make this look easy, but practice (hence sketch) and it will be easy for you.

I apologize for the images — middle of the night!


I start with a horizon or other significant line… keeps me grounded!
this one I started right as that was the edge with boat and windmill…


I moved across the horizon line, adding informational bits as I went:
Houses, more windmills, foliage…  Then began to move out into the water with
the traps or buoys or whatever those thangs are!


Keeping going, do you see how messy messy my lines are?
I set a deadline, the 15-20 minutes before I had to get up to go to work!


Then I used my waterbrush to wash water onto the large body of water (lake?)
to give it some form… I let that dry.

I began to hit the lines selectively with a fine point waterbrush,
moving quickly so as not to lay on too much water
(I don’t even have to squeeze mine) and leaving some areas with no water for definition.  Trust me you will over do this sometimes and end up with a mess.
These messes can sometimes be cleaned up by coming back
with linework over the dried ink wash.

Detail below. 
Don’t think too much, just give it a go…
Be messy!

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Summer Berries, Two


This year the berries are big and still plentiful in August because of the mild summer we are having…. Heaven for us humans too, as August is usually a scorcher.
Peeps who like the BIG perfect strawberries from California are SO missing something.
When I was a kid
*and walked uphill both ways in wet sand*
the best strawberries were not evebearing or big or perfect,
but oddly shaped berries that came and went,
leaving a heavenly scent in Capostranop Valley of berries and salt water.

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Mitchell’s Sunny Gift!


My sweetie brings me sunflowers, my favorite!

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VSW: Matahorn, 1960


My first trip to Disneyland (I was five) I wanted to go on the overhead buckets and
all the roller-coasters, including the Matahorn.  My mom would not go on any of them.
In fact, no one in my family loves any of these kinds of rides or trams.
*sigh* 
But I remember looking up, and thought it would be fun!


Sketched from an Orange County historic photo circa 1960 with an
Edison Nouveau 1.1 stub nib with Pilot Kiri-same ink.
Came back with a waterbrush and and created the final image.

I am enjoying this Disneyland walk so much — memories!

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Inky Thots: Diamine Ancient Copper

From their website:

“Manufacturers since 1864,
Diamine Inks relocated to this
state of the art factory in Liverpool in 1925, where they successfully carried on using the traditional methods
and formulas for ink production.
Over the years the company
has changed hands and are
now located close to the world
famous Aintree Race Course.”

Liverpool, home to the
Beatles and Diamine!

Diamine Ancient Copper was the ink that pulled me out of thinking inks
were to be waterproof and for sketching under watercolor.


I bought the Lamy Al-Star and looked for an ink to set it off and found this
lovely sketching ink!  It has been paired with this pen forever!

Properties of Diamine Ancient Copper ink:

Diamine Ancient Copper ink writes
crisp on all my papers, even Post-its,
no feathering.  I consider it on the wetter side, but still well-behaved; I have it
in a wet stub nibbed pen, and it dries quickly unless puddled, like my swab, above. Completely water-soluble ink,
no water resistant.  The brush moves
the color, easily, and when scrubbed/rewet it shows all the lovely colors — it is in fact
a good shader when painting.  The shading properties make it lovely with which to paint! I don’t think of it as a sheening ink,
but it does produce a dark brown
sheen when laid in thick, above. when doused with water on a towel, the only color that slightly pulls is yellow.

*Above, watercolors from Daniel Smith and QoR.*

The color  matches several watercolor pigments, listed with their Munsell ranges after: Transparent Iron Oxide (Pr101), Pompeii Red (PBr7), and Van Dyke Brown (Pr101).
*For more info on the munsell system, go to this page.  Knowing the pigments can help you not to duplicate watercolors made of the same pigments.*

I was unable to find out if the inks are lightfast, and have not performed my own tests.
Most artists who use ink are making prints of their work —
But ink-painting is becoming more popular so maybe it is time!


This heart on Strathmore paper shows off the ranges… The piece was drawn, the water used to push the inks, and finally the squiggles and lines were reasserted after.
NO ghosting of the lines made to draw the heart — completely water-soluble!


Lovely Buddha with Moon gives an idea of this ink on watercolor paper,
and the shading that can happen with the touch of a waterbrush.


The ink was one of my favorites to have in my purse in case I had time to sketch in the city.  This sketch of the Native American Student Center in Portland was created in ink. Later a wash of Daniel Smith Lapis and Hematite was used when moving the ink.


Seriously, I went from an all waterproof sketch gurl to a water-soluble sketch gurl.
Diamine Ancient Copper is to blame for the many inks I own!

I bought this ink from Goulet.

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Tools: Sheaffer Vintage Desk Pen

Finally had success purchasing a vintage pen!
I love this desk pen — beat up, but interesting gold nib that works!
The 14k gold nib bends as if it was dropped — but that is the design.

Right now it holds Akkerman Delfts Blue in it, a gift from Carlein!


Not quite right — nib bends more!

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Karen’s Orchid


When I closed my jewelry business I gave away many many pieces of jewelry to friends.
Karen was one of those friends who chose a lovely Buddha.

You never know how you touch another person, but this time I was gifted back.
Karen came to the studio in Portland and brought us this lovely orchid.
She was dying of cancer, and the Buddha became an important part of her rituals;
she wore it until she died, and we talked a lot that day about death and where she was headed and all the things you can talk about when relative strangers,
art friends, decide to go deep in a moment.

We think of her every time the orchid blooms, and that day’s sharing.


On another note, wow, paints make a difference.
I chose to try a different yellow and it was not my favorite yellow and had
an opaque white quality, and took some of the pop out of the image.

I also tried mixing ink-painting and watercolor, with mixed results….

I think I need to have another go at this!

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Mom’s Chinese Jar

My mom had this Chinese jar (urn?) for years; now it is mine.
I don’t where it came from; know nothing about the history.
I like it cozied next to a Buddha statue.

I sketched it first with the TWSBI Eco 1.1 with Robert Oster Midnight Sapphire ink, above.  After it was dry I touched the lines with the waterbrush… Always a risk when
you like the final drawing, but this time I liked both.


Finished page — I think of Tracey Fletcher King
whenever I see blue and white pottery, her signature!

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Mister Rodgers on Crayons

Came across this, too cool not to share!
Betcha learn sumthin!!

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Tennessee Williams


A couple of Tennessee Williams quotes hit me in the heart
and I decided to do a sketch of Tennessee Williams.
*gasp… the 100 peeps in 1 week got to me*

“Try to matter.  Try to care and never be afraid
to admit that you just don’t know
how you’re going to make it.
That’s when the help —
the human and divine help — shows up.”

I’ve been struggling with depression, for good reason —
well, maybe not depression, but despair.
The future doesn’t look good, and the future is not far off.
There is just no good news.


The Pilot Murasaki-shikibu ink feather on my Nostalgie Sketchbook pages…
Don’t like that, and not sure why.

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USk: Client’s View


Tried a new way to sketch on site.
I had several TWSBIs with me, and sketched the Williamette River view
from our client’s home while Mitchell talked to her about her furniture.

After we left, I used a waterbrush to blend the initial sketch,
adding ink to fill the river depth colors.
Then topped it with more sketch lines.  I liked this… will do more.

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Chair Delivered


Polychrome chair with gilt trims
we conserved for our client…

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