I haven’t had much time to paint anything this week but found moments in the car.
Being back in a city is overwhelming in terms of the cacophony of lines and layers, rhythms and patterns. (Yes I spelled that wrong — I always forget that extra “h.”)
It really annoys me when I find myself avoiding scenes, and the areas near Swan Island (an industrial area whose name should be changed as there are NO longer swans)
are so rich with activity and also so layered and busy. Busy is hard to convey,
especially without the structure of a language of lines, example shown below,
an architectural rendering of Arco Towers Long Beach. I could do these in my sleep.
Annoyed, I finally decided to try layering the cacophony all at once without thought to shapes to see how that would work, and gave myself 15 minutes. No what’s in front and what’s in back; no set-up and figuring. Just draw a giant gesture of the crazy jumble of lines. I started with the gentle arch of the bridge and then the tall arches, then moved to anchor each side of the page. It totally worked to loosen me up and relax me.
Getting even one of these complicated scenes down was a coup.
I think I am on to something. Got me over the hump, anyhow.
I am retiring this Mixed Media book. I learned a lesson — NEVER buy a soft-cover book with a spine. I often buy ring journals and didn’t think of it but it is annoying. I am going to use it in my weight-loss journal which I will blog about once a week at katwritesfood!
Yes, of course with pictures + recipes when I find good ones!
Drawn in an Strathmore Mixed Media journal with Uniball pens or Noodler’s
Polar Brown and Lexington Grey ink, and Daniel Smith watercolors.
Note: Normally those inks do not run, but they bleed a bit in this journal.
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